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...mistress was usually depicted as a skulking and tragically trapped figure, racked by guilt. The newer version, born of feminism and the sexual revolution, says Richardson, is more blasé and confident about her life. "First of all, she doesn't want to get married, doesn't want to husband-steal," Richardson explains. "There are other things she wants to do. She feels in charge of her life. The stigma is not gone, but it's fading. She's not the scarlet woman anymore. Call her the pink woman or something like that...

Author: /time Magazine | Title: Sexes: The Scarlet Lady Fades to Pink | 6/21/2005 | See Source »

...York City, 1928. Sir Thomas Beecham, the prickly British baronet and conductorial autodidact, was making his American debut in a concert with the New York Philharmonic. So was Horowitz. Beecham was apparently not about to let some upstart, unknown Russian steal his thunder, even if the piece was Tchaikovsky's thunderous Piano Concerto No. 1. Horowitz was unable to speak English, but it was clear from the rehearsals that even a translator would be no help. "Beecham thought I was of no importance," the pianist remembers. At the concert, the conductor adopted an even more ponderous tempo than during...

Author: /time Magazine | Title: Vladimir Horowitz: The Prodigal Returns | 6/21/2005 | See Source »

...lawyer. One of Jack's jobs is to deliver expense money to William Butler Yeats, then staying at the attorney's (would you believe?) 30-room Manhattan apartment. Jack has sticky fingers; he usually lightens the cash envelope, and when his boss dies, Morrison and his sister-in-law steal a Yeats manuscript from the apartment, bypassing a stack of paintings by Renoir. Says Emily Morrison: "Anything Irish got to be better." Her son Jimmy has no such flair for literary appreciation. He finds easier pickings as a corrupt union officer, and fathers Owney...

Author: /time Magazine | Title: Books: Just One More for the Road | 6/21/2005 | See Source »

...another Norwegian museum. On the one hand, it was a comfort that that version was returned unharmed. On the other, nobody seems to have learned anything from the first theft. Museum security was still utterly insufficient, in part because gallery officials depended on the fantasy that no one would steal such a famous painting. And you wonder why that poor little guy is always screaming...

Author: /time Magazine | Title: Makes You Wanna Holler | 6/19/2005 | See Source »

...made a specialty of tracking down purloined Goyas and Bruegels before they are fenced to Bahrain or, worse, ditched in a trash compactor. It's one of Hill's missions in life to disabuse people of the idea that art thieves are cultivated smoothies. "The thieves who steal works of art," he tells us, "were usually stealing hubcaps a few years earlier...

Author: /time Magazine | Title: Makes You Wanna Holler | 6/19/2005 | See Source »

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