Word: steber
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...ridiculed by his captain (Tenor Paul Franke), who seems to stand for all the bluster of petty militarism. He is used as a guinea pig by a doctor (Bass Karl Doench), a sadistic, fanatical embodiment of science. Finally, he is betrayed by his sluttish mistress Marie (Soprano Eleanor Steber), and he stabs her. Wozzeck himself drowns trying to recover the discarded knife. In a poignant last scene, their child (Alice Plotkin) trots off, unaware and innocent, on his hobbyhorse to view his mother's body...
...great mezzo, Giulietta Simionato, rank with her in the grand tradition. Below the leaders there is a substantial reservoir of fine veteran singers, all of them capable of turning in consistently competent and often inspired performances. They include Victoria de los Angeles, Elisabeth Schwarzkopf, Antonietta Stella, Eleanor Steber, Sena Jurinac, Lisa Delia Casa, Irmgard Seefried, Leonie Rysanek, Risë Stevens. Backing them up is a promising and fast-rising crop of newer stars: Lucine Amara, Anna Moffo, Gloria Davy, Leontyne Price, Birgit Nilsson, Anita Cerquetti, Aase Nordmo-Lovberg, Rosalind Elias, Irene Dalis...
Some of the finest solo talents in the U.S. turned up for one-night stands: Singers George London, Blanche Thebom, Leontyne Price, Robert McFerrin, Pianist Byron Janis, Violinist Yehudi Menuhin. Still to come are Pianist Leon Fleisher, Harpsichordist Ralph Kirkpatrick, Singers William Warfield, Eleanor Steber, Harry Belafonte. The world premiere of Gian Carlo Menotti's opera Maria Golovin will take place in Brussels, and some performers from the Newport Jazz Festival will appear. The most cherished scheme of U.S. Performing Arts Coordinator Jean Dalrymple: to find a well-heeled angel who will underwrite a live run of Pajama Game...
Singers: Sopranos Lucine Amara, Mary Curtis-Verna, Gloria Davy, Leontyne Price, Eleanor Steber; Mezzo-Sopranos Nan Merriman and Regina Resnik; Contralto Jean Madeira; Tenors David Lloyd, Jan Peerce. Richard Tucker; Baritones George London, Robert McFerrin and William Warneld...
...dramatic soprano, has become the Metropolitan's most highly publicized relief aria-pitcher in the year since she joined the company. Three times this season she substituted for ailing divas in starring roles (once, on three hours' notice and without rehearsal, she sang Donna Anna when Eleanor Steber fell ill), while maintaining her own schedule of Toscas, Leonoras and Aïdas. Unfortunately, there is more drama in her last-minute appearances offstage than on: her singing, often attractive enough, has little spark, often wins only polite applause. But she has unshatterable poise, knows how to act, makes...