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Opera stars who can-or will-sing two major roles in one day are about as rare as pitchers who are up to hurling both games of a doubleheader.* The Metropolitan Opera's Eleanor Steber did it once by accident. In 1945, she sang Eva in a Meistersinger matinee, then stepped into the evening performance as Donna Elvira in Don Giovanni when the scheduled Elvira took sick. Last week Soprano Steber, 35, became the first star in Met memory to sing a doubleheader by design...

Author: /time Magazine | Title: Music: Soprano Doubleheader | 2/18/1952 | See Source »

Hammerlocks. At 12:30 p.m., after a lunch of poached eggs and toast, Soprano Steber turned up at her Met dressing room and began costuming herself as Desdemona. She added a waist-long switch to her blonde hair, got into a "long negligee sort of thing," and was ready to face the volatile Moor (burly Tenor Ramon Vinay) onstage by the 2 p.m. curtain...

Author: /time Magazine | Title: Music: Soprano Doubleheader | 2/18/1952 | See Source »

...second half of her personal doubleheader, she sang one of the most technically difficult roles in opera, and sang it as cleanly and brilliantly as she had on Cosi's first night. At 11:30, after eight curtain calls, Soprano Steber got back to her dressing room and poured herself another glass of champagne...

Author: /time Magazine | Title: Music: Soprano Doubleheader | 2/18/1952 | See Source »

Metropolitan Opera (Sat. 2 p.m., ABC). Otello, with Vinay, Steber, Warren, Lipton...

Author: /time Magazine | Title: RADIO: Program Preview, Feb. 11, 1952 | 2/11/1952 | See Source »

Metropolitan Opera (Sat. 2 p.m. ABC). Cosi Fan Tutte, with Steber, Thebom, Munsel...

Author: /time Magazine | Title: RADIO: Program Preview, Jan. 14, 1952 | 1/14/1952 | See Source »

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