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...United States Hotel. There, as the Comtesse de Trenaunay de Chanfret (incognito), Clio sets the town by its ears. She breakfasts at six in the stables, eats potato chips outdoors, sets other new styles. She also sets her cap and her talons for railroad multimillionaire Bart Van Steed, the most eligible bachelor in the Western Hemisphere...

Author: /time Magazine | Title: Books: Two for the Show | 11/24/1941 | See Source »

...drawings (at the Grand Central Galleries) depicted glowing Western canyons, Indian cliff dwellings, stampeding horses, luridly lit desert dawns and sunsets. Fifty-Seventh Street's sophisticates thought they looked as corny as old-fashioned magazine covers, but had to admit that few living artists could paint a prancing steed or a frightened herd of mountain goats as realistically as William Robinson Leigh...

Author: /time Magazine | Title: ART: Nature Painter | 3/10/1941 | See Source »

...Foolishness (by Paul Vincent Carroll, produced by John Golden) is another misty Irish play, by the author of The White Steed and Shadow and Substance. Maeve McHugh is loved by three brothers-a farmer, a scholar, a Communist fighter. She finds herself unable to belong exclusively to any of them, but always wedded in part, if not in the flesh, to a mystical spirit. It is suggested that she represents Ireland itself. The author may have meant this or something else, but his drama is as vague and uncrystallized as the moonbeams that flood one of the scenes. Sally...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: Dec. 30, 1940 | 12/30/1940 | See Source »

...Dressed up as Uncle Sam, Horace Woodward, of Arlington, Va., mounted and coaxed his steed into Bull Run, switched horses in midstream with Ann Hedrick, just to show it could be done...

Author: /time Magazine | Title: THE CAMPAIGN: The Big Noise | 11/4/1940 | See Source »

...page boy in the castle of a Polish King, Mazeppa inspires a gaudy first-act curtain by shooting the fiance of the King's only daughter. Before the hoopla has subsided, Mazeppa, traditionally played by a curve-some female, has been tied to a "fiery Tartarian steed." headed precipitously away from the lone Polish prairie. Enacted in Suffern by the papier-mache horse used by the Lunts in their Taming of the Shrew, the role of the high-tempered stallion is reduced to comic relief. But riding one of his flesh-&-blood predecessors back in the 1860s, Adah Isaacs...

Author: /time Magazine | Title: The Theatre: Hi Yo Mazeppa | 7/8/1940 | See Source »

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