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...beneath the airport's terrazzo floors, amid the underground warren of computers, conveyor belts, wires and thousands of motors that make up the airport's Disneyesque baggage system. As designed, 4,000 computer-guided fiber-glass carts, each carrying a single suitcase, will roll along 22 miles of serpentine steel tracks, delivering 60,000 bags an hour to and from dozens of distant gates and carrousels. The system employs electromagnetic motors attached to the tracks to power the carts, which are routed and monitored by banks of logic controllers, sensors and photocells...

Author: /time Magazine | Title: The Bag Stops Here | 5/16/1994 | See Source »

...male-oriented society. Lilla LoCurto and Bill Outcault, the artists of the exhibition at the Carpenter Center, explore the "many meanings in today's society" of the female body by focusing on the perceptions and treatment of women's breasts. Creating the ambience of a hospital with steel gurnies and fluid bags, the artists force the audience to view the display with the Foucaultian clinical gaze that has become the bedrock of post-modern criticism. "Sharp Appetites" intelligently examines the history and contemporary situation of sexual politics with an analytical eye. Thought provoking and intelligent, the exhibition balances serious issues...

Author: By Mark Roybal, | Title: Carpenter Show Keeps Abreast of Feminism | 5/13/1994 | See Source »

...medical aspect of the exhibition continues in "Pinnacles of Desire." The artists replace the gurnies with steel metal stands that contain video monitors, and the bags are now silicone breast implants. The emphasis shifts to a more contemporary issue--or rather the latest development of the female body: breast augmentation as the product of commercialized sex. It is no coincidence that the metal apparatus mimics the configuration of a pair of breasts. The stands are large, square and metal, but they convey the symmetry and preposterous nature of surgically enhanced breasts. A montage of porno clips plays on one screen...

Author: By Mark Roybal, | Title: Carpenter Show Keeps Abreast of Feminism | 5/13/1994 | See Source »

...Haiti, capitulation to North Korea and dithering over Bosnia, the question becomes acute. The answer does not lie only with a President who has little experience in foreign policy and less interest. Nor does it lie solely with his foreign policy team of well-meaning souls lacking in steel, the kind needed to take a stand and stick...

Author: /time Magazine | Title: The U.N. Obsession | 5/9/1994 | See Source »

Monty sneaks into Widener, a strange and fabulous Widener (okay, so it's not really Widener: Harvard wouldn't allow Alek to film there). He goes down into a boiler room, a strange and fabulous boiler room--a scary boiler room not unlike an old steel mill--and encounters among the boilers Simon Wilder (Joe Pesci), a homeless man living there. Simon has Monty's thesis but won't give it back. Monty gets Simon evicted, but Simon hides the thesis. He makes a deal with Monty to give him a page a day for food and housing...

Author: By Daniel J. Sharfstein, | Title: Cum Minus | 5/5/1994 | See Source »

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