Word: steels
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Dates: during 2000-2009
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...solely on corporate governance issues, consciously leverages the fund's rights as a major shareholder. Last year, the fund contacted several companies in its portfolio with operations in India's agricultural sector, urging better controls on child labor. Similarly, talks are ongoing with firms in Brazil's mining and steel industries. The fund has also sent to the boards of about 30 firms a document it published with the help of UNICEF and Save the Children, setting out its expectations regarding children's rights...
...past half-century, and that federal subsidies now worth up to $13 billion a plant - roughly how much it now costs to build one - still haven't encouraged private industry to back the atomic revival. At the same time, the price of building a plant - all that concrete and steel - has risen dramatically in recent years, while the nuclear workforce has aged and shrunk. Nuclear supporters like Moore who argue that atomic plants are much cheaper than renewables tend to forget the sky-high capital costs, not to mention the huge liability risk of an accident - the insurance industry...
...Anish Kapoor, born in Mumbai (formerly Bombay) and based in London. It's not just a work of art; it's a destination. Four years ago, it landed at Chicago's Millennium Park, where in no time it became an essential photo op. A fat, arching pillow of reflective steel, it's a giant fun-house mirror that bends people, clouds and the skyline into endlessly shifting puddles. Who can say no to something that turns the world into Silly Putty...
...arrived in 1973 as a 19-year-old art student. He was first noticed for works in which he covered cones, cubes and pyramids with intensely colored raw pigment to make primal objects with a radioactive intensity. Since then, he's moved on to fiberglass, resin, acrylic and stainless steel, but almost always playing with the threshold between the solid and the immaterial, the point at which a thing comes into being or dematerializes, or the ways a massive solid form, like Inwendig Volle Figur (inwardly turning full figure), can also be a giant entryway...
...debts to the blunt boxes of minimalists like Donald Judd and Robert Morris as well as to the weightless atmospheres of James Turrell. But the blend of heavy and vaporous, declaring and beckoning--that's all Kapoor's. That explains S-Curve. A long wall of bending steel, it's like one of Richard Serra's hulking stretches. But because of its mirrored surface, S-Curve dematerializes, the way Cloud Gate does, into a field of runny reflections that throws the world for a loop. It's art as metaphysical jujitsu...