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Fearing that restoration work would topple the tower, a giant belt was looped around the building and connected to large weights a block away. Thinner steel bands were wrapped around the first level for added support...

Author: /time Magazine | Title: Tipping The Balance | 6/25/2001 | See Source »

...modern architecture--all those featureless skyscrapers bunched along heartless avenues!--can have a soft spot for Ludwig Mies van der Rohe, the most steadfast Modernist of them all. In his later years, he proposed variations of the same building for every purpose. For office towers and museums, a black steel-and-glass carton. For symphony halls and convention centers? Ditto. For houses? O.K., for houses, something more domestic--a steel-and-glass carton in white. All the same, the best of what he did is still utterly beautiful. Around the lobby of the Seagram Building in New York City, threads...

Author: /time Magazine | Title: Architecture: Mies Is More | 6/25/2001 | See Source »

...America," at the Whitney Museum of American Art, picks up the story after he fled the Nazis, eventually to settle in Chicago as head of what became the Illinois Institute of Technology. From there, through his teaching and his flourishing practice, he spread the doctrine of glass and steel...

Author: /time Magazine | Title: Architecture: Mies Is More | 6/25/2001 | See Source »

...struggle to distill the building process to its essentials--vertical and horizontal structure, bare but lustrous materials--Mies produced his poetry through painstaking details. He made a fetish of the proper way to expose the steel I beams at the corners of his buildings. As Frank Lloyd Wright also did, Mies exploded the confined rooms of 19th century interior space, producing the open-plan homes and work spaces--"universal space" he called it--that are now pretty much universal...

Author: /time Magazine | Title: Architecture: Mies Is More | 6/25/2001 | See Source »

...wouldn't put someone in a cage with a tiger and go, oh he's just mild mannered. You would still have the tiger wrangler. Something. Here's a pair of knee high boots with a steel thing. Not like swoop around here so we can get a better photo and pretending that it nipped him on the toe. If they don't spend some of all of this money they have quadrupled for some kind educational program so they can educate the zookeepers about how to handle situations, I just can't even imagine what to say next...

Author: /time Magazine | Title: Transcript: Sharon Stone vs. the Komodo Dragon | 6/23/2001 | See Source »

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