Word: stefano
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...Nigel Holmes (Executive Director); Dorothy D. Chapman, Anthony J. Libardi, Irene Ramp (Deputies); Arthur Hochstein, Leonard S. Levine, Billy Powers, Barbara Wilhelm (Assistant Directors); Angel Ackemyer, James Elsis, Carol March (Designers); Nickolas Kalamaras Layout: Steve Conley (Chief); John P. Dowd (Deputy); Stefano Arata, Joseph Aslaender, David Drapkin, Jay Petrow, Nomi Silverman, Kenneth Smith, Eugene Tick Maps and Charts: Paul J. Pugliese (Chief); Joe Lertola, E. Noel McCoy, Nino Telak, Deborah L. Wells...
...Nigel Holmes (Executive Director); Dorothy D. Chapman, Anthony J. Libardi, Irene Ramp (Deputies); Arthur Hochstein, Renee Klein, Leonard S. Levine, Billy Powers, Barbara Wilhelm (Assistant Directors); Angel Ackemyer, James Elsis, Carol March (Designers); Nickolas Kalamaras Layout: Steve Conley (Chief); John P. Dowd (Deputy); Stefano Arata, Joseph Aslaender, David Drapkin, Jay Petrow, Nomi Silverman, Kenneth Smith, Eugene Tick Maps and Charts: Paul J. Pugliese (Chief); Joe Lertola, E. Noel McCoy, Nino Telak, Deborah L. Wells...
...Nigel Holmes (Executive Director); Dorothy D. Chapman, Anthony J. Libardi, Irene Ramp (Deputies); Arthur Hochstein, Renee Klein, Leonard S. Levine, Billy Powers, Barbara Wilhelm (Assistant Directors); Carol March (Designer); Nickolas Kalamaras Layout: Steve Conley (Chief); John P. Dowd (Deputy); Angel Ackemyer, Stefano Arata, Joseph Aslaender, David Drapkin, James Elsis, Jay Petrow, Nomi Silverman, Kenneth Smith, Eugene Tick Maps and Charts: Paul J. Pugliese (Chief); Joe Lertola, E. Noel McCoy, Nino Telak, Deborah L. Wells...
...Robert Blum, a New York lawyer who fenced on two Olympic teams. "As with all sports, fencing is a mode of communication. The fencers are telling us something about themselves." As Mathias Gey of West Germany was eliminated, he sank to his knees, crouched in defeat, while above him Stefano Cerioni of Italy leaped, fist in air, bellowing in triumph...
...prices and is assiduously promoted. It is therefore not surprising that the Biennale should devote several rooms to him. However, the qualities of La Pittura Colta go far beyond, or below, De Chirico's fussy homages to Rubens, Titian or Fragonard. Its exponents, such as Carlo Maria Mariani, Stefano di Stasio or Omar Galliani, never use such "warm" sources. As shown by Mariani's Ercole che Riposa, they prefer the cold touch of marble and the frigid contortions of mannerism. Their dream of beauty is a simpering Apollo or a Big Daddy Hercules surrounded by Ganymedes with pearlescent...