Word: steichen
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...disliked competitions and would not make one picture for money. Stieglitz had plenty of uses for his small private income. One of the first was a magazine-the now classic Camera Work -which proved that photography was an art, and incidentally established the reputations of Paul Strand, Edward Steichen and other young photographers...
...photographs-150 in all-were selected by Navy Captain Edward Steichen from among thousands taken by Coast Guard, Marine and Navy photographers. Once the highest-paid advertising photographer in the U.S., shy, hard-working Steichen was commissioned in 1942 to head a special photographic unit, coached the men who shot the film for the vivid, action-packed Fighting Lady (TIME, Jan. 22). Like Fighting Lady, the Steichen-edited Power in the Pacific is a superb example of the technical achievements of modern photography. His chief contribution is the incredible enlargements, which lost nothing in the blowing-up process. Working with...
...20th Century-Fox) is the fiercely beautiful and thrilling color record of an aircraft carrier's career from her launching through her first half-dozen engagements.* It was shot during the past couple of years by a crew of six enlisted men, coached by famed photographer Captain Edward Steichen, and directed by Lieut. Commander Dwight Long. Their combined mileage was cut to its present 7,500 feet and 60 minutes by Fox's Louis de Rochemont, first producer of the MARCH OF TIME, whose first Hollywood film this is. John Stuart Martin, formerly of TIME, wrote the script...
...Stieglitz had gathered round him a small group of outstanding photographers including Clarence H. White, Gertrude Kasebier and Edward Steichen. They had a gallery in Steichen's home at 291 Fifth Avenue which became famous...
...piece of Erdmannia he did not relate: around 1930 Vanity Fair heard of the "technique," readily got permission for famed Photographer Edward Steichen to photograph it in action. Came the day, and Steichen disposed his assistants high in the amphitheater with flash bulbs. The patient, a woman, had hardly arrived on the scene when Erdmann opened up her abdomen from top to bottom with one neat slice. Suddenly, in the rafters, the photographer's assistants lost their lunches and their balances. Steichen gave up for that day. Next time he fortified himself with troops who had been "blooded." After...