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...late great John Pierpont Morgan once sat for his portrait. Because he sat impatiently, badly, the painter wanted a photograph to help him. Banker Morgan agreed to allow a photographer just two minutes for the job. The next day he arrived punctually to find Photographer Edward J. Steichen, 27, waiting for him. Mr. Steichen had been there for a half-hour studying lights and shades, posing the janitor of the building in the chair where Banker Morgan would sit. Briskly he shunted the sitter to his seat. Banker Morgan sat down, glared into the lens. Snap. One picture was taken...

Author: /time Magazine | Title: Art: Steichen* | 12/2/1929 | See Source »

...Morgan moved his head around, then swung it back into the identical position. But Photographer Steichen had got what he wanted?his subject had relaxed. It was the same pose, but more naturally and easily arrived at. Snap. Another picture. Exactly two minutes had elapsed...

Author: /time Magazine | Title: Art: Steichen* | 12/2/1929 | See Source »

When Photographer Steichen next saw Banker Morgan, he showed him prints of the two pictures. Banker Morgan liked the first, tense pose, ordered a dozen copies. The second, Photographer Steichen's favorite, showed the subject looming characteristically massive out of Rembrandtesque shadow. A trick of light made the chair arm look like a broad, naked knife in Banker Morgan's hand. Banker Morgan looked at this picture, tore it in shreds...

Author: /time Magazine | Title: Art: Steichen* | 12/2/1929 | See Source »

Invitations to compete were extended to several men engaged in different sorts of artistry. These included Gustave Jen sen (silversmith), William Zorach (sculptor), Robert Locher (interior decorator), Edward Steichen (photographer), Walter Teague (commercial artist) ; Buk Ulreich (designer...

Author: /time Magazine | Title: Art: Vexed Venable | 10/22/1928 | See Source »

Last week this scene was replayed in the Customs Court of Appeals in Manhattan. Another one of Brancusi's birds, a bright, sinuous piece of brass pipe, tapering at the ends in a not perfectly symmetrical curve, has been shipped from Paris to Edward Steichen, Manhattan photographer and artist. Denied duty-free admission as a work of art, it had been subjected to a tax of $229.35, more than a third of what Purchaser Steichen had paid for it. Appealing the decision, Purchaser Steichen appeared in court accompanied by experts who would support his claim that the bright enigma...

Author: /time Magazine | Title: Art: Bird | 10/31/1927 | See Source »

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