Word: steinbeck
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Dates: during 1940-1949
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...their writing itself there was a sense of national achievement. By the '305 the bang and sparkle of this literary Fourth of July was as spent as a dead rocket. To an inquiring Briton, an American would have to reply: the outstanding U.S. novelists are John Steinbeck (The Grapes of Wrath), Ernest Hemingway (For Whom the Bell Tolls), and John O'Hara (Appointment in Samarra). Protest had turned into corrosive petulance or special pleading for the Left. Frustration had replaced anger. No U.S. writer saw U.S. life whole; and even the scrap he saw, he usually saw over...
...sermon. . . ." He interviewed Polish Tenor Jan Kiepura after the critics panned his new show, and reported it, in pure Kiepurese: "The public love oss. They dizagree with the critics. The onjost critics hurts only wahn person-his poblisher and himself!" Wilson showed a flair for punch leads: "John Steinbeck said what the hell, he'd see me." He asked tart old H. L. Mencken at the Stork Club why he lived in Baltimore. Replied Mencken: "I need peace. I live in a remote slum surrounded by lintheads, okies and anthropoids ... far from where the respectable profiteers live." Earl Wilson...
...Medal for Benny (Paramount) rates a medal for Paramount. The first reels of this John Steinbeck story are a little ripe with folksiness, but along about the middle the picture comes vividly to life...
...Viking authors whose books went on Nazi bonfires: Lion Feuchtwanger, Stefan Zweig, Arnold Zweig, Franz Werfel. Other Viking authors: John Steinbeck, Ludwig Bemelmans, Dorothy Parker...
...American audiences, anxious about the American cinema art, the Mayer-Burstyn production of John Steinbeck's "The Forgotten Village," released in 1941, should be of considerable interest. It is worth noting, primarily, that no major studio took on this documentary of the Mexican village of Santiago and its fight against typhoid fever. Squalid ignorance is not the sort of thing Hollywood can treat sympathetically, as a rule, but a small outfit has presented the conflict between the old and new in a manner that rivals the job S. M. Eisenstein, the Russian director, did in the same area...