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...Ives, directed by Elia Kazan. James Dean's best performance in which his capacity for portraying a rebel youth is fully used, unlike the more acclaimed Rebel without a Cause, which was a spinoff of Brando's prototypical 50's motiveless wandervogel in The Wild One. Set on John Steinbeck's 30's Northern California farmland, Kazan strips the Nobel Prize winner's story of all its forced Biblical parallels. And in focussing the story upon the character played by Dean he creates the sort of lean, energetic, powerfully dramatic work which the author's plodding traditional allegory failed...

Author: NO WRITER ATTRIBUTED | Title: the screen | 7/6/1973 | See Source »

SUNDAY: The Red Pony. Henry Fonda and Maureen O'Hara star in a mangled version of the John Steinbeck novella. CH. 4. 8:30 p.m. Color...

Author: NO WRITER ATTRIBUTED | Title: television | 3/15/1973 | See Source »

...Mice and Men, adapted from Steinbeck's play, got enthusiastic reviews at its world premiere in Seattle two years ago. Time reported that the audience sat in stunned silence before breaking into thunderous applause. My own acquaintance with Floyd's music, however, consisted of a less momentous scene from an earlier opera, Susannah, which a touring company of some sort, anticipating Gentele, brought to my high school...

Author: By Seth M. Kupferberg, | Title: Nights at the Opera | 2/15/1973 | See Source »

...different, and the Loeb's audience as one might expect, was considerably more polite. Floyd's score is competent and pleasant, and has several moments of real drama, notably an exultant second-act trio for the ranchhands who think they've found a home of their own at last. Steinbeck's play is effective enough to carry some of the rest, particularly since NERO's exemplary singers enunciate every word clearly...

Author: By Seth M. Kupferberg, | Title: Nights at the Opera | 2/15/1973 | See Source »

...Mice and Men Director Ed Zwick has decided that John Steinbeck's classic Thirties drama must be contemporary. Worth a look, but if the cast hasn't improved any don't feel obliged to stay...

Author: NO WRITER ATTRIBUTED | Title: the Stage | 10/26/1972 | See Source »

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