Word: stendhal
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Dates: during 1930-1939
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...democratic countries, he adds the unkindest cut of all, says they probably control the fascist countries too. They organize wars, revolutions, panics, famines, inflation and deflation. Growing more lyrical, Céline damns as Jewish, Cézanne, Charles Chaplin, Lenin, Madame Curie, Racine, Montaigne, William Faulkner, Stendhal, Zola, the Vatican, the French general staff, the Catholic clergy, critics, propagandists, politicians, movie producers and the people who rejected his ballet...
Except for minor disguises, says Austrian Author Frischauer, A Great Lord tells the true story of a Polish aristocrat in Napoleonic times. In theme, it is almost a first-class historical novel in the tradition of Tolstoy or Stendhal. With twice his imagination and half his unconscious Polish bias, Author Frischauer might have lived up to this tradition, instead of merely recalling it to his book's detriment. But by comparison with most recent historical romances, A Great Lord is a solidly written, serious work...
...library philosopher. Author Blum quotes sparingly from such pioneers of sex thought as Balzac, Rousseau, Stendhal, prefers his own sex data gathered "for years." Liveliest example of data-gathering by M. Blum, who "used to be very fond of following women," is his description of how in two hours before her train, a charming pickup gave him an insight into the "amorous unrest" of young brides. Later he learned she was the wife of an old college friend...
Wheel of Fortune is a surprising book. It sets out like a society farce, develops into the psychological realism of a Stendhal novel, ends like a Dostoievskian drama. And the whole thing leaves an impression as unmistakably Italian as a plaster wall painted to look like marble. A tour de force of remarkable virtuosity, this story of a woman's disintegration will linger in readers' minds as a clever analysis but not a revelation...
...humor, an entirely undisciplined style Evelyn Scott attempted to raise from the dead the following peacefully slumbering corpse: how shall a second-rate writer support a wife, two children and his own self-respect during an economic depression? Though Evelyn Scott lists herself with the great minority of Stendhal, Balzac, Flaubert, Dostoievsky, Tolstoy, few readers will count her their equal. While they may give her solemn approbation for her attempt "to convey something of the nightmare negation of the human by the machine," they will close her book without much fellow feeling for her unfortunate examples...