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Word: stephen (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...some thought to my remarks. No solution is in sight at this end. In fact, my chief dread right now is that when I get out of graduate school hero at Yale and get into the Army I will have a sergeant who went to neither Harvard nor Yale. Stephen O. Saxe...

Author: NO WRITER ATTRIBUTED | Title: CODDLING THE CRUEL WORLD | 5/20/1953 | See Source »

...face, in the whole picture I see only one glimmer of light. The Liberal Union has invited the public to come to an illustrated lecture on sex given by a Lampoon men. I don't think anyone could expect anything more liberal than that. Stephen O. Saxe...

Author: NO WRITER ATTRIBUTED | Title: THE DOLLAR AND DANIEL WEBSTER | 5/13/1953 | See Source »

Trapped between gunman and bomb, the captives sweat it out through all sorts of minor melodramatic outbursts: two of the hostages unsuccessfully try to knife and shoot the desperado (Stephen Mc-Nally); a doctor (Richard Egan) performs an emergency operation on the gunman's wounded pal (Paul Kelly); the doctor's spoiled wife (Alexis Smith) sees her lover (Robert Paige) shot to death; love comes to a hard-boiled nightclub entertainer (Jan Sterling) and a reporter (Keith Andes...

Author: /time Magazine | Title: Cinema: The New Pictures, may 11, 1953 | 5/11/1953 | See Source »

With its tried & true basic plot, Split Second was bound to work up a certain amount of grim suspense. In addition, Stephen McNally's characterization of the convict is a snarlingly powerful one. But much of the movie's intrinsic excitement is lost in its over-plotting and in the under-direction of Actor Dick Powell in his first directorial...

Author: /time Magazine | Title: Cinema: The New Pictures, may 11, 1953 | 5/11/1953 | See Source »

...Mass was followed by two suites for strings and continue, one by the 17th century English composer John Jenkins and the other by Francois Couperin. The pleasing, simply-constructed movements of the Jenkins were given a graceful rendition by Anne Gombosi, violin; August Wenzinger, a visiting lecturer from Switzerland; Stephen McGhee, viola da gamba and John Dvison, harpsichord. But the Couperin is quite a notch above the Jenkins musically, and Mr. Wenzinger's virtuoso performance further augmented the excellent impression it made. Because of the elaborate ornamental conventions of the period in which it was written, a great part...

Author: By Alexander Gelley, | Title: Music Club | 5/6/1953 | See Source »

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