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Word: stephen (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...perfectly captured the paradox that is Jim Carrey: a man who has grown past, but still remains, the frightening mask of mirth." STEPHEN GERALD KENT Cranbrook...

Author: /time Magazine | Title: Letters: Jun. 22, 1998 | 6/22/1998 | See Source »

Houston has funding for four more years of outdoor productions, though no operas have been set yet. Next January the stage will be moved indoors for a production of Stephen Sondheim's A Little Night Music, starring Frederica von Stade. Several other opera houses have expressed interest in this new approach, and no doubt similar stages will soon be under construction. But the best thing about Houston's contemporary Carmen is not so much the modular stage, impressive though it is, as what Assaf has done with it. How do you get twentysomethings to fall for opera? The answer...

Author: /time Magazine | Title: Carmen, the MTV Diva | 6/22/1998 | See Source »

Yale law professor Stephen Carter calls this "the culture of disbelief," the oppressive assumption that no one of any learning or sophistication could possibly be a religious believer--and the social penalties meted out to those who nonetheless...

Author: /time Magazine | Title: Will It Be Coffee, Tea Or He? | 6/15/1998 | See Source »

Joyce later relented, and so the world learned that Ulysses was, among many other things, a modern retelling of Homer's Odyssey, with Bloom as the wandering hero, Stephen as Telemachus and Molly as a Penelope decidedly less faithful than the original. T.S. Eliot, who recognized the novel's underpinnings, wrote that Joyce's use of classical myth as a method of ordering modern experience had "the importance of a scientific discovery...

Author: /time Magazine | Title: The Writer JAMES JOYCE | 6/8/1998 | See Source »

After Hammerstein's death from cancer in 1960, Rodgers valiantly plowed on. He worked with Stephen Sondheim on a musical, Do I Hear a Waltz? An attempt at a collaboration with Alan Jay Lerner, lyricist of My Fair Lady, came to nothing. I can vouch for Alan's never having had the almost puritanical discipline that Rodgers found so satisfactory in Hammerstein. Sadly, too, with one or two exceptions, the post-Hammerstein melodies paled against Rodgers' former output. Who can say why? Perhaps it was simply the lack of the right partner to provide inspiration and bring out the best...

Author: /time Magazine | Title: RODGERS & HAMMERSTEIN :The Showmen | 6/8/1998 | See Source »

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