Word: steppenwolf
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...cultural exchange has begun to work both ways, with regional theaters that have developed promising productions often joining forces with Manhattan institutions or producers. That is the case with two current off-Broadway delights: a lively feminist interpretation of the British social-class comedy Educating Rita by Chicago's Steppenwolf, the ensemble's sixth foray into Manhattan in the past five seasons; and a bewitchingly surreal satire with songs, Three Postcards, the second offering this season originated by California's South Coast Repertory, which, despite its setting in conservative Orange County, south of Los Angeles, specializes in avant- garde premieres...
...with the sounds of Steppenwolf blaring through his Walkman, Dewitt remounted his self-powered "hawg" in search of the city limits. Unfortunately, Dewitt's depth perception was not as good as it had been and he ended up running into a treacherous fire hydrant and crashing through a plate glass window. The window belonged to a movie theater and, in order to avoid paying reparations, Dewitt quickly mingled among a crowd of film seekers, attentively viewing The Color Of Money (Beacon Hill). Dewitt had seen this movie before and at second look decided he didn't like it. The Color...
Past recipients of the Special Tony Awardinclude the Steppenwolf Theatre Company of Chicagoand the Gutherie Theatre of Minneapolis
Days and Nights Within was chosen to showcase Peterson's talents and those of the woman he lives with, Remains and Steppenwolf Actress Amy Morton. The story depicts the actual and dreamed encounters between a woman accused of spying in East Germany in the early 1950s and her Communist inquisitor. In the original production at Actors Theater of Louisville last year, the characters engaged in a kind of perverse romance, with each wistfully trying to break down barriers. In Chicago, the struggle is for power: Morton endows the woman with toughness, and Peterson portrays the questioner as an unimaginative bureaucrat...
...country, says that the Chicago scene's future depends equally on attracting young talent willing to work cheap and developing more institutions capable of challenging established artists. Although the Chicago League of Theaters has 109 members, only a handful pay Actors Equity-scale wages. One of them is Steppenwolf, which used to pay the average member about $3,000 a year and which has upped the figure to a still uncomfortable $10,000 or so. That kind of sacrifice has afforded Chicago a stage vitality and inventiveness rivaling the best of off-Broadway. The challenge is to sustain the freedom...