Word: stepson
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Dates: during 1940-1949
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...deliberately advised his stepson to refuse to register, he said, and had offered him money to skip to Canada or Mexico. The stepson disregarded the advice and on his 18th birthday registered. But 40-year-old Wirt Warren, a Unitarian and a Socialist who had been drafted as a conscientious objector in World War II, was plainly inviting the U.S. to make something of it anyway...
...thoughtless queries ("Why should not school be an open and natural life, like any other?" "Like what other?" said Mr. Firebrace). There are also numerous succinct summings-up whose blandness is more savage than savagery itself: "Maria had also a vein of justice, and though she regretted [her stepson's] existence and his grandfather's, never questioned their right...
That career has run against the current of modern art. The stepson of a rich St. Petersburg banker, Berman was left homeless at 18 by the Russian Revolution. Settling in Paris, he was enchanted by the "Blue Period" paintings of another alien, Picasso, 18 years older than Berman. By that time, restless "Papa" Picasso was gaining notoriety as a cubist; but Berman, along with his brother Léonid, and his friends Tchelitchew and Bérard, thought cubism something to keep clear of. Their idea was to go on from where Picasso's Blue Period left...
Claudette Colbert is a dauntless, stylish, long-suffering widow who has turned her back on love (Walter Pidgeon) in order to raise two stepchildren and pay off her late husband's debts. The stepson (Robert Sterling), just home from the Navy, is a nice, levelheaded boy. But the stepdaughter (June Allyson) is something straight out of Freud. Since no one has ever told her that the adored father who died when she was five was a weakling, a dipsomaniac and a thief, June sits all day at the piano, strumming Debussy and mooning over daddy's memory. Meanwhile...
...most of this one propped up in bed. Alternately purring and bellowing in a voice not unlike Brother Lionel's, she is superbly effective as the ailing, aging mistress of a huge plush-and-black-walnut New England mansion. A gay-dog only son and a sobersided professor-stepson (George Brent) make their home with her. Residents and visitors in her house include such odd or frightened people as a cook (Elsa Lanchester), a trained nurse (Sara Allgood), and a strangely inhibited young woman (Dorothy McGuire), who has been unable to speak a word since childhood...