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...about the old theaters, one came from a mud-wrestling entrepreneur, another from Michael Eisner. Disney's chairman became interested in owning a theater in New York because the company's theatrical version of Beauty and the Beast was imminent on Broadway. As it happens, the architect Robert A.M. Stern, who had devised post-Johnson-Burgee guidelines for 42nd Street, is a member of Disney's board. Stern told Eisner about the New Amsterdam. On a grim winter day, Stern and Cora Cahan took Eisner, his wife and son on a tour of the theater, shuttered since...

Author: /time Magazine | Title: MIRACLE ON 42ND ST. | 4/7/1997 | See Source »

...series certainly has no shortage of rerun fodder for such a venture. During its decade on-air, Biography has produced more than 480 episodes, looking at subjects from Jesus Christ and Julius Caesar to Howard Stern and Judy Garland. Each hour (occasional specials air at two hours) moves along economically, dwelling on no single aspect of a person's life but rather cramming in the whole cradle-to-grave (or cradle-to-this-minute) story. While a filmmaker could produce an entire documentary on the subject of, say, Attila the Hun's retreat from Rome, Biography's look...

Author: /time Magazine | Title: TELEVISION: THESE ARE THEIR LIVES | 3/17/1997 | See Source »

...exploring issues of Jewish self-hatred; giving hints of The Glass Menagerie and then taking a sharp right turn. Hollywood will probably shower the play with stars, but most likely will miss the delicacy of Ron Lagomarsino's understated direction and Dana Ivey's touching performance as Lala's stern, no-nonsense mother. She can get a laugh and evoke a lifetime of prefeminist frustration with a single line ("If I were running the Dixie Bedding Company, we'd all be rich by now") and find fresh heartbreak in the simplest lament: "I thought we were going to be happy...

Author: /time Magazine | Title: THEATER: PLAYS: STILL THE THING | 3/17/1997 | See Source »

...culture that exists behind the words "men in drag." Where else can you see a chorus line reminiscent of Radio City Music Hall with men who, in high heels and bustiers, can pass for mildly attractive women? Where but the Pudding can you understand the cultural significance of Howard Stern's promoting his new movie on David Letterman wearing a blond wig and nylons? Where else but the Pudding, a Harvard institution by dint of being an institution and the nation's oldest the atrical company? Eat well (for the Hasty Pudding recipe, check out Lydia Maria Child...

Author: By Sarah J. Schaffer, | Title: Drinks Before, Not After | 3/11/1997 | See Source »

...also wants to be How Nice. Stern hopes to be "understood"--as a caring husband, a faithful friend, a mensch for all seasons. Don Rickles did this for decades, of course, insulting his listeners before sucking up to them (I hate you! Love me!). Stern just does it on radio. Maybe he really cares for his audience as much as he does for his wife. In the movie he expresses that love by making radio jokes about her miscarriage and telling a woman who's about to strip in his studio that Alison died of cancer. Yeah, Howard. Love...

Author: /time Magazine | Title: CINEMA: HOW NICE | 3/10/1997 | See Source »

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