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...artists who embodied it best were Benton, Wood and John Steuart Curry. They hardly knew one another. But it happened that Henry Luce was looking for a patriotic circulation builder for the Christmas 1934 issue of TIME. Walker was duly interviewed, Benton's self-portrait went on the cover, and American regionalism was born. "A play was written and a stage erected for us," Benton would later remark. "Grant Wood became the typical Iowa small towner, John Curry the typical Kansas farmer, and I just an Ozark hillbilly. We accepted our roles...

Author: /time Magazine | Title: Art: Tarted Up Till the Eye Cries Uncle | 5/1/1989 | See Source »

...uneven: strong in fauvism and the pre-cubist school of Paris but weak in surrealism, with some early Picassos, like the 1906 portrait of Gertrude Stein, and the late Braques, like The Billiard Table, 1944-52, of ravishing quality; obstructed by (mostly) dull American figurative works by John Steuart Curry, Jack Levine and the like, bought with Hearn's money in the '20s and '30s, that ought to be a footnote to the American Wing; dense with fair-to-splendid examples of early American modernists (Georgia O'Keeffe, Marsden Hartley, Arthur Dove and others) and later abstract expressionists...

Author: /time Magazine | Title: Art: Another Temple For Modernism The Met's 20th century wing | 2/2/1987 | See Source »

...attacks were the latest in a series that started on Oct. 10 when I.R.A. bombers blasted a bus carrying Irish Guards to their barracks, killing two civilian bystanders, injuring 22 soldiers and 16 other people on a Chelsea street. A week later, Lieut. General Sir Steuart Pringle, 53, commandant general of the royal marines, put his black Labrador, Bella, in the back seat of his red Volkswagen to take her to the park for a run. As he drove off, a bomb planted under the car exploded; Pringle survived but one of his legs was amputated. On a visit...

Author: /time Magazine | Title: Britain: Once More, Terror in the Streets | 11/9/1981 | See Source »

...pirates, the real dramatic complications begin, and one splendidly choreographed number follows another in stunning procession. The whole takes place against the backdrop of Roger Bardwell's sets--effective recreations of a rocky sea coast and a ruined chapel--and under the glare of Will Durfee and Steuart Thomsen's dramatic lighting. John C. Beichmann's orchestra, which keeps the cast company, is adequate, though not as impressive as past G&S ensembles...

Author: By Julia M. Klein, | Title: The Very Model of an Operetta | 12/7/1976 | See Source »

...sales lead in Dallas to 2 to 1. Irritated, Coke officials conducted their own consumer-preference test -not of the colas but of the letters. Their conclusion: Pepsi's test was invalid because people like the letter M better than they like Q. Chicago Marketing Consultant Steuart H. Britt theorizes that Q is disliked because of the number of unpleasant words that begin with Q (quack, quitter, quake, qualm, queer...

Author: /time Magazine | Title: ADVERTISING: Coke-Pepsi Slugf est | 7/26/1976 | See Source »

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