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When the University of Wisconsin lured chubby, Kansas-born John Steuart Curry to lecture farm boys on painting, art rivalry among U. S. colleges began to burn with a hard, gemlike flame. Other up-&-coming schools promptly hired their own resident artists, not to teach art but to talk it, to paint while undergraduates gaped and to give an occasional steer to hopeful dedicates. To the University of Georgia went Native Son Lamar Dodd. Dartmouth called home its own Paul Sample. Muralist Thomas Benton spurned all Missouri compromises during four stormy years teaching and painting at Kansas City...

Author: /time Magazine | Title: Art: Resident Apostle | 9/18/1939 | See Source »

...sorting 2,500 U. S. lithographs and etchings into a big heap of rejections, a little heap of selections. His little heap appeared last week as a book* containing 100 (10 in. by 13 in.) black & white prints by such top-flight U. S. artists as Thomas Benton, John Steuart Curry, Boardman Robinson, John Sloan, Grant Wood, for the first time brought together the most significant black-&-whites by outstanding U. S. artists in a handy, inexpensive form. Thoughtfully, the publishers perforated the binding edge of all the prints so they may be taken out for framing...

Author: /time Magazine | Title: Art: U. S. Prints | 9/18/1939 | See Source »

...apiece, others from one to three. There were prints to suit everybody. People who itch and fidget when confronted with the self-conscious strainings of Thomas Benton's I Got a Girl on Sourwood Mountain could turn a page to his Lonesome Road. For people who consider John Steuart Curry's darkly violent lithograph Line Storm "theatrical," Critic Craven supplied a pasture pastoral like Curry's bully Ajax. Others who sometimes wonder why Grant Wood indulges in such painstakingly stuffy satire as Honorary Degree (see cut) could admire his slick Seedtime and Harvest. Subtler was the humor...

Author: /time Magazine | Title: Art: U. S. Prints | 9/18/1939 | See Source »

...studio on the quiet campus of the University of Wisconsin's College of Agriculture last week Artist-in-Residence John Steuart Curry put the last dab of paint on a 20-foot sweep of canvas, laid down his brushes, and thereby made news. For John Steuart Curry, in the ten years since he first hit his stride with a picture of violence called The Tornado, has become the most notable of U. S. regional artists. And his canvas was the second of two oil-and-tempera murals that will be -lifted into place next autumn on the walls...

Author: /time Magazine | Title: Art: Land Office Business | 8/28/1939 | See Source »

Like the great artists of renaissance Italy, John Steuart Curry lives on the patronage of States and institutions, paints in peace. His five-year contract with the University of Wisconsin pays him $4,000 a year, carries with it the title "Professor" and the burden of giving an occasional lecture. Still at work in Madison last week on twelve panels for the State Capitol of Kansas Curry called his Oklahoma Land Rush a picture of the same migration Novelist John Steinbeck describes in Grapes of Wrath. Said he: "Civilization went into the Territory 50 years ago on wheels...

Author: /time Magazine | Title: Art: Land Office Business | 8/28/1939 | See Source »

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