Word: steven
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Dates: during 1990-1999
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...kitchen." On one wall hangs a large board that notes everyone's activities, from karate lessons and art classes to Dad's location shoots; nearby, behind safety glass, is one of the original balsa-wood Rosebud sleds from Citizen Kane. "There's also this couch," says Capshaw, "which is Steven Central. He has a bunch of scripts to read, and tapes--casting reels, dailies, bits of animation--that he pops into the VCR. But if one of the kids asks him to build a castle, he's immediately down on the floor, building that castle. The kid runs away, Steven...
...DreamWorks when he glanced at his daily log and saw that "every meeting I had scheduled had nothing to do with directing movies. That's when I realized that what I do best is what my partners would want me to do: direct." Katzenberg agrees. "The best thing Steven can do for us is to stay on a movie set," he says. Spielberg's deal with DreamWorks is that he will direct one film "at home" for every two he makes outside. Amistad is a DreamWorks venture; The Lost World is for Universal, and Saving Private Ryan is co-produced...
...with Spielberg more than most, this is true. "What binds my films together," he says, "is the concept of loneliness and isolation and being pursued by all the forces of character and nature. That comes from who I was and how I was raised." The big mystery the mature Steven had to unravel and come to terms with is this: Whose child...
...genius. Looking back on his youth, she says, "He scared me! I didn't know anything about raising children--couldn't change a diaper--and it took a concerted effort just to get him past his infancy. Now he has dimensions I can't even fathom. Most people dream. Steven dreams; then he fulfills...
...Spielberg and screenwriter David Koepp fashioned a new story. Says producer Kathleen Kennedy: "In the same way Michael doesn't see writing as a collaboration, Steven went off and did his own movie. When Michael turned the book over to Steven, he knew his work was finished." The author was never consulted about the sequel, nor was he sent a script until he held back approval of certain merchandising rights. But Crichton now sounds sanguine about the process. "When I write," he says, "I have to have the book be exactly the way I want it to be, and that...