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...ingredients were in place for a stew of a scandal. At stake were nothing less than the fate of the Italian tomato crop, one of the country's leading exports, and the pride of Campania, a lush farming region that stretches from Naples to the slopes of Vesuvius. At the height of the harvest two weeks ago, deliveries of tomatoes to canneries were abruptly suspended by the Italian Ministry of Agriculture. Reason: suspicions that much of a 200,000-metric-ton crop, perhaps 30% of a bumper harvest, contained the poisonous insecticide aldicarb. Marketed by Union Carbide under the trade...

Author: /time Magazine | Title: Tomato Scare Italian-Style | 9/2/1985 | See Source »

...Cattle Co. & Livery Emporium ("GOATS AND DONKEY'S NEITHER BOUGHT NOR SOLD/WE DON'T RENT PIGS"). It isn't that life in town can't be dangerous. One can always fall off a porch, get snakebit picking up a jug or risk Tex-Mex cooking. The recipe for varmint stew: "Whatever the dogs catch. Or the dogs themselves, if they don't manage to catch nothing...

Author: /time Magazine | Title: Books: It's a Long, Long Tale Awinding Lonesome Dove | 6/10/1985 | See Source »

...stereotype of rejected genius, which identifies Caravaggio as the first avant-garde artist. Our time, with its craving for rapid and unnerving change in the look of art, was bound to love Caravaggio. He was called an evil genius, an anti-Michelangelo; his work was compared to an overpeppered stew, and it became a favorite pretext for centrist finger wagging in the 17th century...

Author: /time Magazine | Title: Art: Master of the Gesture | 3/11/1985 | See Source »

...retire to a deserted beach for an extended evening feast. The outsider marvels at the smells that begin simmering from the cooking pots. He also recoils when he sees a comrade slice the neck of a live hawksbill turtle and use the dying creature's blood to flavor the stew...

Author: /time Magazine | Title: Books: Paradise Lost Easy in the Islands | 2/18/1985 | See Source »

Neither he nor any of his contemporaries cared much about the social background or specific religious meanings of the work - and probably the more lowbrow avantgardists, like Maurice de Vlaminck, mentally reduced it all to mission ary-stew, bone-in-the-nose cliche. Not even Brancusi, whose borrowings of African motifs were of the most exalted refinement (as in Madame L.R., 1914-18, whose domed "head" comes from a Hongwe reliquary figure), had an "anthropological" interest in his sources. To him they were pure form...

Author: /time Magazine | Title: Art: Return of the Native | 10/15/1984 | See Source »

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