Word: stewart
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Dates: during 1950-1959
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Varsity--stroke, Carlo Zezza; seven, Stewart Hussey; six, Charles Atkinson; five, Ted McCagg; four, Larry Huntington; three, Sam Wolcott; two, Art Hodges; bow, Captain Jack Lapsly; cox, Peter Milton...
Also, Lynne P. Hofer, History and Literature; Therese Jaeger, History and Literature; Maeda Jurkowitz, Social Relations; Mary E. Marshall, History and Literature; Margaret V. Means, English; Susan A. Morford, Social Relations; Paula Omansky, Government; Joan Shuman, History; Beverly F. Stewart, English; Elizabeth A. Williams, Classics and related literatures...
Capitol Architect George Stewart made the case for change. After all, he pointed out, the Capitol has been modified many times since the cornerstone was laid, each architect changing to some extent the work of his predecessor. With an increased number of Representatives since the last expansion of the Capitol and heavier legislative workloads, the Capitol will have to go right on growing. "In fact," said Architect Stewart, "I can see the day-30 or 40 years off-when we'll have to build a new Capitol, a truly functional building. This one will become just a museum...
...Stewart, as a puppy-friendly tourist, is soon pals with a jolly Frenchman (Daniel Gelin) and a pair of tweedy Britons (Bernard Mills and Brenda de Banzie). Doris is more suspicious: she thinks the Frenchman asks too many questions and that the Britons are just a little shifty-eyed. And what about the mysterious stranger with the death's-head face? Did he really knock at their hotel-room door by mistake? Even Jimmy realizes that something is up when Gelin, disguised as an Arab, comes staggering into the marketplace with a knife stuck in his back, and gasps...
...Stewart cannot tell the police this news because the conspirators have kidnaped his son to ensure his silence. The film slips smoothly into a Hitchcock chase sequence as Jimmy and Doris charge off to London to track down the kidnapers: there is a melee in a taxidermist's shop, an encounter with the villains in a Non conformist chapel, a hand-to-hand struggle with the gun-wielding assassin in a velvet-curtained box at Albert Hall, a final showdown in the gilt-and-mirror splendor of a foreign embassy. Hitchcock alternates his chills with comedy, as when Jimmy...