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...could say there hasn't been such a soft-sell comic presence since Wally Cox, but the comparison would be too facile. There's nothing mousy about Stewart. The difference between most comic hosts and Stewart is the difference between a brassy sitcom and The Larry Sanders Show--for which, in fact, he was a writer and actor...

Author: /time Magazine | Title: Talk Show Host: Jon Stewart | 7/9/2001 | See Source »

While he was reporting the Bush-Gore Florida lunacy on election night (Choose and Lose), Stewart's well-acted cumulative fatigue evidently worried some literal-minded viewers who thought he really was fighting sleep with No-Doz and coffee while stoically providing slyly opinionated updates on the night's events: "George W. Bush has obviously taken his home state of Texas with 32 electoral votes. No big surprise, as the threat of executions is a very big motivator." And later, "Bush has swept the South... I seem to remember these states getting together once before. I can't remember when...

Author: /time Magazine | Title: Talk Show Host: Jon Stewart | 7/9/2001 | See Source »

Repeat viewing of Stewart's shows reveals good things you missed the first time--smallish matters of voice shading, inflections and gestures begun but not completed. If you're a latecomer to his charms, you'll wish your alleged friends had demanded that you start watching a lot sooner. I'd like to see everything he has ever done...

Author: /time Magazine | Title: Talk Show Host: Jon Stewart | 7/9/2001 | See Source »

...here - is overwhelming. One look at Willy Schlobach's painting of La Morte, and it's clear Hitchcock directly recreated its image in Vertigo when Kim Novak throws herself into San Francisco Bay. Walking around Rodin's The Kiss gives the same effect as the camera turning around Jimmy Stewart's embrace of Novak later in the movie. The aerial shot of Cary Grant in the cornfield in North by Northwest - with a road cutting straight through the cornrows to the edge of the screen - draws on Léon Spilliaert's Le Paquebot ou L'Estran, a painting...

Author: /time Magazine | Title: The Fine Art of Fear | 7/9/2001 | See Source »

...believable story told to the readers with such a spellbinding logic that you get the impression that the same thing could happen to you tomorrow." In The Man Who Knew Too Much, the murder coincides with a cymbal clash during a night at the symphony; in Rear Window Jimmy Stewart suspects that a murder has taken place across the courtyard from his own home - extraordinary events in ordinary settings...

Author: /time Magazine | Title: The Fine Art of Fear | 7/9/2001 | See Source »

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