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...refer all interested readers to the brilliantly remastered version of Hitchcock's 1954 thriller Rear Window, in which a bored and bedridden Jimmy Stewart (in a full-leg cast after a run-in with a racecar) witnesses what he thinks is a murder: his salesman neighbor's wife disappears the night that the salesman makes several early-morning trips out of the apartment, carrying a suitcase, in the rain. The movie itself is shot entirely from Stewart's vantage-point at his rear window and is a fascinating exploration of voyeurism, inference and 1950s haute couture...

Author: By Maryanthe E. Malliaris, CRIMSON STAFF WRITER | Title: Listening in the Dark | 2/22/2000 | See Source »

...principle itself translates. At some imperceptible point in the middle of the movie, Jimmy Stewart's snooping shifts from being the forgivable voyeurism of a bored man waist-deep in plaster to the important surveillance of a concerned citizen. As soon as he and Grace Kelly convince themselves they've seen a murder, scruples are thrown to the wind...

Author: By Maryanthe E. Malliaris, CRIMSON STAFF WRITER | Title: Listening in the Dark | 2/22/2000 | See Source »

...course, if I spot a costume jewelry salesman or meet a man like Jimmy Stewart, it may be a different story...

Author: By Maryanthe E. Malliaris, CRIMSON STAFF WRITER | Title: Listening in the Dark | 2/22/2000 | See Source »

...past two weeks, he estimates he's done 50 media interviews, appeared on "Good Morning America," "Martha Stewart Living" and was booked for the "Today" show...

Author: By Garrett M. Graff, CRIMSON STAFF WRITER | Title: The King of Hearts Bids Necco Farewell After 47 Sweet Years | 2/16/2000 | See Source »

...power of those preconceptions is often impossible to break, Stewart says...

Author: By Eric S. Barr and Vasugi V. Ganeshananthan, CRIMSON STAFF WRITERSS | Title: Worlds Apart: Why Harvard and the South Don't Get Along | 2/2/2000 | See Source »

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