Word: stigmas
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...radical solution, involving nothing less than a change in prevailing attitudes about marriage and children. The notion that everyone should marry and raise a family was important in an era when infant-mortality rates were high and life expectancy short. Now it is important, he warned, to remove the stigma that society attaches to remaining unmarried and to somehow change the feelings of comfort and security that many Americans derive from having large families. "This is going to shock a lot of people," he conceded, "but we have to get the discussion started...
...violently argued issue these days is whether the confirmed homosexual is mentally ill. Psychoanalysts insist that homosexuality is a form of sickness; most homosexuals and many experts counter that the medical concept only removes the already fading stigma of sin, and replaces it with the charge?even more pejorative nowadays?that homosexuality is pathological. The answers will importantly influence society's underlying attitude (see TIME symposium). While homosexuality is a serious and sometimes crippling maladjustment, research has made clear that it is no longer necessary or morally justifiable to treat all inverts as outcasts. The challenge to American society...
...mental hospitals is called sick or irrational. But conversations with these students suggest that given the interaction of genetic predisposition, personal history and the circumstances of the surroundings, "sick" actions are entirely logical. The sickness lies in the interpretation. The alienated student who cannot conform is branded with a stigma that pushes him further and further out until he reaches the hospital...
...couldn't tell anything from this mill of sounds made by these esthetes of rock. Then there came a cry for primitivism, and you started hearing rock 'n' roll-a name that had been unfashionable-as opposed to rock, which had the stigma of art music...
...Teuber himself who puts the stigma of ultimate mystery on the figure of Jesus. An actor of extraordinary range, his performance is theatrically protean. Teuber's Christ is by turns a performer, a teacher, an advocate, as well as men and God. Playing always to an audience among the other characters--whether to his disciples, his accusers, or the crowd at large--he reserves the essential personality of Christ himself. Where acting styles are concerned, "use anything" would appear to be Teuber's operating principle, no less that that of the entire remarkable show, including Peter Ivers' electric eclectic...