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...budget 1977 sleeper that was based on a magazine article, Saturday Night Fever took in some $145 million at the box office. For his long-planned sequel, Producer Robert Stigwood, 48, persuaded John Travolta, 28, to repeat his role as Tony Manero in Staying Alive. The star agreed, but on the condition that he be allowed to map out the film's story line. Not missing a trick, Stigwood also hired Sylvester Stallone, 36, to direct the film. As Travolta and Stallone have planned it, Staying Alive will move Tony up six years and into Manhattan, where he lands...

Author: /time Magazine | Title: People: Jan. 24, 1983 | 1/24/1983 | See Source »

...belated appearance of punk movies will likely perpetuate the musical momentum of the old New Wave for a while. Other projects, planned or underway, include Times Square (promised as New Wave Saturday Night Fever, argh, by producer Robert Stigwood), and Urgh: A Music War, concerts of Magazine, Pere Ubu, X, Dead Kennedys, and Wall of Voodoo, the new New Wave...

Author: By Gregory Springer, | Title: Punk Flicks (Old Tricks) | 10/16/1980 | See Source »

Nothing here to raise the hackles of even the most paranoid Ahmet Ertegun or Robert Stigwood, except for one curious feature of this "new wave" of bands--there are hundreds of them. People have realized you don't need a 64-track mixing machine and multiple synthesizers to create a listenable song. There have always been garage bands, and 90 per cent of them never made it to the driveway, but today the garages are sending skilled graduates into cities all the way from New York and Boston on down to Akron...

Author: By Scott A. Rosenberg, | Title: Memos From Turner | 9/19/1979 | See Source »

...This is not wish fulfillment on a rear bumper, though. The owner of this Mercedes rates. In a time of phenomenal success for the record business (698.2 million albums, singles and tapes were sold for $3.5 billion in 1977), Al Coury, president, head honcho and chief dervish of Robert Stigwood's RSO Records, has taken a penthouse on top of the sales curve, even as his family stays snug in their San Fernando Valley tract house. "Yeah, I live in the same house I did when I was making $18,000 a year for Capitol," Coury says. "Who needs...

Author: /time Magazine | Title: Music: The Man Who Sells the Sizzle | 12/25/1978 | See Source »

...weeks, across the way on the singles charts, RSO claimed four of the top five. Music biz stats like this burn the giant tails of such outfits as Columbia and Warner Bros.-Elektra/Asylum-Atlantic. Such a fact was not lost on anyone in the record business, least of all Robert Stigwood. "I knew Al was dedicated to music," Stigwood said. "I just didn't know he was that dedicated." The grateful board chairman cut Coury in for some additional pieces of the corporate pie, a consideration valued at well over $5 million. Said Stigwood: "Al's worth...

Author: /time Magazine | Title: Music: The Man Who Sells the Sizzle | 12/25/1978 | See Source »

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