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...learn science like it’s a done deal,” Knep says. “You learn the rules and what’s happened, but don’t really learn it as something that’s still happening. We need to learn how to be a maker, how to be a creator...

Author: By Lauren B. Paul, CONTRIBUTING WRITER | Title: Knep Links Science and Art | 4/6/2010 | See Source »

...time, a remnant of the 1960s and the Marxist ideology in vogue then. “In the 1960s and 1970s there was a lot of progressive and radical thought that said that workers are too invisible,” said Jaeger. However, Ortiz is confident that its message still applies in contemporary society and updated its dialogue to avoid alienating a modern audience...

Author: By Elyssa A. L. Spitzer, CRIMSON STAFF WRITER | Title: Proletariart | 4/6/2010 | See Source »

...scene seemed particularly poignant for six Harvard students. Despite common confidence in a Harvard degree and the modern expectation that women can have both a family and successful career, whether these six students will grow up to have both is still uncertain. It is entirely within the realm of possibility that they could become stay-at-home moms. Besides, if “Working” succeeds in its glorifying aims, the fate should not seem like a particularly “shitty” one: the play presents housewifely work as another valuable way to contribute to society...

Author: By Elyssa A. L. Spitzer, CRIMSON STAFF WRITER | Title: Proletariart | 4/6/2010 | See Source »

...Still, the best tracks are the more dynamic ones. Wisely chosen as the album’s first single, “Rambling Man” is the most invigorating number on the record. As the track progresses, several layers of instrumentation pile on top of the initially bare, yet solid base of acoustic guitar strumming and vocals. The combination of these elements, which include cheerful banjo melodies, steadfast drums and electric guitar, lend the track a sense of robustness and complexity, and their effect is truly satisfying. Additionally, Marling’s vocals seem to achieve a rare level...

Author: By Paula I. Ibieta, CONTRIBUTING WRITER | Title: Laura Marling | 4/6/2010 | See Source »

...sampled vocals from Michael Jackson’s “We’re Almost There,” illustrates this musical progression perfectly, displaying a subtlety and refinement that distinguishes “Wu Massacre” from the mass of hip-hop currently circulating. The album still includes the typical clichés of misogyny, shameless bravado, and violent fantasy—it wouldn’t be a Wu release if it didn’t—but it manages to quite successfully navigate the fine line between aggressive and elegant. This culminates...

Author: By Colm Dubhrosa, CONTRIBUTING WRITER | Title: Method Man, Ghostface Killah, & Raekwon | 4/6/2010 | See Source »

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