Word: stilling
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Dates: during 1970-1979
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...Margaret, a divorced neighbor, played superbly by Jane Alexander. Margaret begins by encouraging Joanna's decision to walk out, later becomes a confidante of Ted's and ends up emotionally drained, torn by both on the witness stand. After the judge has delivered his verdict, it is still difficult for the audience, as well as Joanna, Ted and Margaret, to decide who has really won. The ambiguity lingers to the final frame of the film. Like the first shot, the last one is a close-up of Streep-only now she seems even more distressed than before...
...Justin was chosen was because the interview made clear that he has a very good relationship with his real father, Cliff Henry, a portfolio manager for J.C. Penney. Another was that he had never acted before. Explains Director Robert Benton: "We didn't want anyone with bad habits." Still, after seeing the movie, audiences may be excused if they think he was born before the cameras, so true and so good is his performance...
...anguish and uncertainty been so thoroughly catalogued through look and gesture. Streep's understated suffering rescues the character of Joanna Kramer from a virtually no-win plot: bad enough that a mother should leave her young child and then disappear from the film for nearly an hour; worse still that she come back and try to break up the new life that her husband and son have painfully built. "If Joanna is a villain," Streep recently told TIME'S Elaine Dutka, "if there's a white hat-black hat situation, that doesn't make...
Meryl had auditioned in New York occasionally while still at Yale. When she moved to the city, directors scrambled to use her. Her first professional appearance was at Lincoln Center in Joseph Papp's production of Trelawney of the Wells. Next she played in a program of two one-act plays and did the seemingly impossible: she became both a slovenly, bovine Southerner in Tennessee Williams' Twenty Seven Wagons Full of Cotton and a thin, sexy secretary in Arthur Miller's A Memory of Two Mondays. Says Director Arvin Brown: "The audience didn't realize that...
...Streep, "I was emotionally blitzed." She began work on Joe Tynan four months later: "It was a self ish period, a period of healing for me, of trying to incorporate what had happened into my life. I wanted to find a place where I could carry it forever and still function...