Word: stillings
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Dates: during 1990-1999
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Admit it. You heard "Semi-Charmed Life" so many times that you memorized all the words, and you still didn't "want something else." Then you bought the album and found out that Third Eye Blind's songs were fantastic. "Graduate," "Narcolepsy," "I Want You"--for me, they were the songs that made my senior summer; for my brother, they were the hits of eighth grade; for everyone, they formed the soundtrack to a small part of our lives. And the new album, Blue, while perhaps not living up to the popularity of its predecessor, delivers a smattering of songs...
Never a group to rest on its laurels, Metallica, the only old-school metal outfit that still truly rocks, releases a November album for the third consecutive year with S & M, a live recording of the epic concert they held with the San Francisco Symphony last April. It's a risky experiment, but the double disc, which sprawls over 21 tracks, shows that the gambit paid off. The sheer lyrical power of the orchestra blends seamlessly with Metallica's music to staggering effect, as the booming brass and ghostly strings give songs like "Wherever I May Roam" and "For Whom...
...richer and more satisfying than Garage Inc., last fall's covers album, S & M is Metallica's ultimate creative venture. The casual metal listener or non-Metallica aficionado may not understand what all the fuss is about, but still, consider yourself rocked to the bone...
...tight close-ups, wide establishing shots, innovative camera angles. Darabont is a master of filming grand, sweeping epics in relatively confined spaces, and he stays true to form here. The pacing is deliberate, allowing the audience to fully experience all the tensions and hardships of life on Death Row. Still, Darabont is careful not to waste any screentime on dull moments; there's plenty of action to offset the unusually long running time. As the film progresses, the tone remains predominantly serious (befitting a story set on Death Row), interspersed with lighter scenes of optimism and hope. Edgecomb's urinary...
...final scene from 1935, the story shifts back to the present for a wrap-up that comes across as contrived (the same problem plagued Saving Private Ryan). Instead of ending the film in the present, it would have been much more powerful to cut it off in the past. Still, despite this minor blemish, the film is a spectacular cinematic achievement, and although Oscar time is still far away, The Green Mile seems destined to grab the Academy's attention...