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...demand to see those big fingers in operation is so great that Phog has had to rearrange his schedule to put the freshmen on the program before each home varsity game. "Everywhere I go," says Phog, "they ask me about Wilt the Stilt. I've seen them all: Joe Lapchick,* Clyde Lovelette, Hank Luisetti-all the top men, and this kid is the best I've ever seen. For 20 years I've used a twelve-foot basket in my gym; as far as I know, I'm the only coach who does it. Wilt...

Author: /time Magazine | Title: Sport: Wilt the Stilt | 12/12/1955 | See Source »

...freshman of them all, Wilton Chamberlain (7 ft. 2 in., 230 Ibs.), dunk in 42 points all by himself. In 39 years of talking tall young men into coming to Kansas for their higher education, Phog Allen has never recruited a more promising student of basketball than "Wilt the Stilt...

Author: /time Magazine | Title: Sport: Wilt the Stilt | 12/12/1955 | See Source »

...Philadelphia Negro is the main reason that Phog is still coaching. Kansas regents require that state college teachers retire at 70, but once Phog got his hands on the three-story Stilt, he wasted no time talking the regents into letting him stick to his job. "I'm not going to miss the chance to coach this kid," he said. "He's the greatest basketball player alive today...

Author: /time Magazine | Title: Sport: Wilt the Stilt | 12/12/1955 | See Source »

...Chamberlain: "We've had many colleges speak to us about Wilton, but you're the first one who was a professor. I'm so happy to have someone talk about the academic side." By the end of May, Phog Allen and K.U. had won the Stilt sweepstakes. "Wilton," he said, "I know you'll be happy here...

Author: /time Magazine | Title: Sport: Wilt the Stilt | 12/12/1955 | See Source »

...been transformed into a gleaming room swimming in diffused light and housing what was unquestionably the hit of the show: a handsome cross section of contemporary U.S. archi-texture. Among the large scale-models and ceiling-high photomurals: Pittsburgh's aluminum-sheathed Alcoa Building, Manhattan's stilt-borne Lever House, Chicago's glass towers by Mies van der Rohe and Frank Lloyd Wright's laboratory for the Johnson Wax Co. in Racine, Wis. Spotlighted in a second gallery, blacked out with velvet draperies, were a host of machine-made objects from frying pans and plastic cups...

Author: /time Magazine | Title: Art: Americans in Paris | 4/18/1955 | See Source »

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