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...irksome, or for the reader to wonder unduly at arbitrary choices of personal traits and adventures assigned by the author. Burgess, as always, throws in bits of the many languages he knows, mostly untranslated. But where the invented Russian- English slang in Clockwork Orange had a brilliant sting to it (horrorshow from horosho, meaning good, and lewdies from lyudi, people), the phrases here in Russian and Latin appear, after a dash to the dictionary, to be quite ordinary, not the keys to unsuspected puzzles...

Author: /time Magazine | Title: Books: Clockwork Plot | 1/30/1989 | See Source »

Bruce and Sting sing for liberty; France stays left; one result of a terrible accident...

Author: /time Magazine | Title: Images: Images | 12/26/1988 | See Source »

...mood suffused Potter's 1978 BBC serial, Pennies from Heaven (in which Bob Hoskins played the music salesman), his 1982 film, Brimstone and Treacle (with Sting as the satanic young man), and the current Track 29 (starring Theresa Russell as the American wife). In October his novel Blackeyes (about the plagiarizing novelist) was published, to acclaim, in the U.S., and last month the BBC aired his new series, Christabel, a domestic drama set in '40s Germany. Masterpiece Theatre will show the series in February...

Author: /time Magazine | Title: Show Business: Notes From The Singing Detective | 12/19/1988 | See Source »

...this, as Chandler well knew. It was no coincidence that he called his first detective "Mallory." Chandler identified all too closely with his "shop- soiled Galahad," struggling to maintain a code of honor in a Hollywood that had never heard of the Marquis of Queensberry rules. Chandler knew the sting of being typecast as a small-time operator ("The better you write a mystery," he complained, "the more clearly you demonstrate that the mystery is not really worth writing"). Yet what he knew most of all, as one of Hollywood's great theoreticians, was that a writer cannot afford...

Author: /time Magazine | Title: Essay: Private Eye, Public Conscience | 12/12/1988 | See Source »

That power finally sweeps away one's resistance to the film's major improbability. It asks us to believe that the FBI, in those days still under J. Edgar Hoover's dictatorship, would have mounted an elaborate sting operation to bring the murderers at last to some rough justice under federal anticonspiracy statutes. That seems unlikely, especially given Hoover's hatred of Martin Luther King and his allies. Still, narrow historical criticism somehow seems irrelevant to a movie that so powerfully reanimates the past for the best of reasons: to inform the spirit of today and possibly tomorrow...

Author: /time Magazine | Title: Cinema: The Fire in the South MISSISSIPPI BURNING | 12/5/1988 | See Source »

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