Word: stings
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...same report included a sting investigation that found that 43 U.S. recycling firms were willing to ship broken monitors with cathode-ray tubes to buyers in foreign countries without getting the required permission from the EPA and the receiving nations. Yet some of these companies had been trumpeting their exemplary environmental principles to the public. "At least three of them held Earth Day 2008 electronics-recycling events," the report notes...
Indeed, the opera Welcome to the Voice, which premiered Nov. 20, doesn't demand feats of coloratura of the pair. Rather, they lend their rock timbres to improbable duets with such brilliant sopranos as Sylvia Schwartz to "hopefully make harmony," as Sting says...
...genuine romance between the opera's composer, longtime Costello keyboardist Steve Nieve, and the writer and psychoanalyst Muriel Teodori, who wrote the Franco-English libretto. First released as a Deutsche Grammophon recording in 2007, the opera recounts the story of Greek immigrant steelworker Dionysos (played by a bearded Sting), who falls in love with an opera diva, much to the consternation of his blue-collar buddies. His stalker-like obsession nearly gets him incarcerated by the police commissioner (a hulking, black-robed Costello), but with a little supernatural intervention by the ghosts of operas past, all ends well...
...Sting, a singer who grew up delivering milk early mornings with his father in the coal mining and shipbuilding town of Wallsend, England, those themes of class struggle drew him to his character. "There's the Dionysos archetype from Greek mythology, and then there's this communist steelworker who falls in love with the opera - that's the story I'm telling really," he says. "I know what it's like to be an outsider, I know what it's like to be working class and entering the halls of the bourgeois. It's our story really...
Costello and Sting's performances had their faults - including a good handful of wayward notes. But while commissioner Costello stormed around stage brazenly belting his lines, and Sting swooned in the arms of Schwartz's delicious diva during their final stirring - and harmonious - duet, they were clearly reveling in this escape from the confines of the pop-rock genre. "For me it's always good to put yourself outside your comfort zone," says Sting. "As an artist, it's vital to have that kind of experience to grow, otherwise you're trapped in a box. Being...