Word: stokowskied
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...dandy performance, if I do say so myself," says Bender, whose Emmy extracurricular achievements include writing last year's Emmy Award-winning television documentary, Leopold Stokowski. "I am still not sure whether the good folk of Ravenswood were applauding my baton work care. A fireworks display that accompanied it, and I don't care. A good hand is a good hand...
...year-old Ballantine's Scotch that he consumed in moderate rations (down from the half quart a day of former times) ever dull his tart, epigrammatic wit. Conductors, critics and colleagues regularly felt its sting. Stravinsky once said of Leopold Stokowski that "he must have spent an hour a day trying to find the perfect bisexual hairdo." He called New Yorker Music Critic Winthrop Sargeant "W.S. Deaf." Of a new Gian Carlo Menotti opera, he said, "It is 'farther out' than anything I've seen in a decade; in the wrong direction, of course." He also...
With a hundred cellos gleaming on it, the stage of New York's Philharmonic Hall looked like the setting for a Busby Berkeley musical. The earlier part of the program included Soprano Beverly Sills, Pianist Rudolf Serkin and Conductor Leopold Stokowski. But "Salud Casals" night did not really get under way until the guest of honor arrived with his all-cello orchestra. The performers had gathered from all over the world. Each cellist financed his own trip and donated his services for the privilege of being led by Pablo Casals in one of his brief compositions, a Catalan Sardana...
DEDICATION CONCERT AT JUILLIARD (CBS, 5:30-7 p.m.). Live coverage of the dedication concert from Alice Tully Hall, featuring performances by Van Cliburn, Shirley Verrett, Itzhak Perlman, with Leopold Stokowski and Jean Morel sharing the direction of a 70-piece symphony orchestra...
...appears as the New Hollywood haunted by the Old Hollywood, which comes on as a fond, hapless parody of itself. Confronting him in his office are three William Morris agents and a portly director named Henry Koster, who wants to match a 1937 Koster triumph (Deanna Durbin and Leopold Stokowski in A Hundred Men and a Girl) with a new musical concoction. Koster outlines the story. A touring symphony orchestra is about to return to New York to put on a charity program "for crippled children." The cymbal player comes down with a contagious disease in Moscow ("We can work...