Word: stokowskis
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Dates: during 1930-1939
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From that nucleus grew the Littlefield Ballet, later the Philadelphia Ballet Company. When, in 1932, Stokowski gave the world premiere of the Mexican ballet H. P. (see col. 3), Catherine Littlefield plotted the choreography. Alexis Dolinoff danced the lead. When the Philadelphia Ballet ran short of men a year ago, Catherine Littlefield signed up her air-pilot brother, Carl. Last week he made a graceful Prince-from-the-West, easily outstripped the other minor characters. Another Littlefield, young sister Dorothie, also filled in ably...
...would conduct, or even where he would conduct them. Musical wiseacres were convinced, however, that the Toscanini-NBC broadcasts would be given on a tour which will encourage sales of his records made by RCA Victor, NBC's corporate cousin, which arranged a similar tour for Leopold Stokowski last spring (TIME, April 27), will send Eugene Ormandy and the Philadelphia Orchestra on another this spring...
...Silver Jubilee, which began Jan. 7 and will last, according to Paramount publicity, for 17 weeks, reached its peak two weeks before the Champagne Waltz premiere. At a Hollywood super-dinner to Producer Zukor, Cinema Tsar Will Hays called Producer Zukor "a splendid American', a great leader," Leopold Stokowski conducted a 150-piece orchestra, Paramount's contract players joined in a floor show which, on a basis of combined salaries involved, was doubtless the most expensive ever staged...
...Philadelphia Orchestra has always been famously friendly with Pianist-Composer Sergei Rachmaninoff. In 1920 it was the first U. S. organization to play his choral symphony The Bells. Blond-maned Leopold Stokowski used to hire Rachmaninoff often as guest soloist, liked to slap his back in public. In Philadelphia this season Stokowski led the orchestra through the world premiere of Rachmaninoff's Third Symphony, later took it to New York (TIME, Nov. 23, 1936). When, after 17 years absence. The Bells was again heard last week in Manhattan, the Philadelphia Orchestra, under new Conductor Eugene Ormandy, contrived its return...
...makes good that she easily outclasses Ginger Rogers. However, James Stewart, the mellow almost inaudible tenor, is no Astaire, and if it weren't for his ingratiating boyish shyness, he would detract from the film. The clever Reginald Gardinev leads a neat touch with a fantastic impersonation of Stokowski and his baton, an act which he repeats in "The Show Is On". Supplementing Eleanor Powell's nimble feet are those of Georges and Jains, a graceful, aristocratic dance team...