Word: stokowskis
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Dates: during 1930-1939
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First concert was in Hartford, where the players blamed the recent flood for what seemed to be a cool reception even to Stokowski's dazzling Bach orchestrations, the electrified excerpts from Wagner's Gotterdammerung. But Boston more than made up for Hartford's apathy. In Hartford Stokowski played a Bach encore "because you seem to love Bach so." In Boston he played four encores because Bostonians clamored for them. Gist of Stokowski's speech in Boston was his admiration for Boston's Conductor Sergei Koussevitzky and the Boston Symphony "from which I learned so much...
...Springfield went the Philadelphia Special. There Stokowski relinquished the conductor's stand to Charles O'Connell, one of his assistants who grew up in Springfield. In a final chorale and fugue Stokowski played the organ along with the Orchestra. But he sternly refused to take a bow, kept in the background while Conductor O'Connell reaped a home-town reception. For the Toronto concert next night special trains brought listeners from all over Ontario. The city was beflagged. Enthusiasm outran anything the Philadelphia players had ever dreamed...
Dream tours have been a stock joke in Philadelphia for years. Stokowski has talked of taking the Philadelphia Orchestra to Europe, South America, the Orient. One reason for his tiff with his directors last season was their failure to see their way clear to financing a tour while there was a considerable deficit at home (TIME, Oct. 29, 1934 et seq.). The angel that suddenly popped up was RCA Victor, for which Stokowski and his orchestra make many a red-seal phonograph record. RCA Victor underwrote the current tour for $250,000, hoping to get back much...
Rightful hero of the tour is the conductor who built up the Philadelphia Orchestra to be one of the greatest in the world. Last week's audiences were fascinated by Stokowski: his swift graceful dash for the podium, the svelte back he turned, the fine graceful hands which seem to mold every phrase of the music that is played. The orchestramen seemed like cogs in a magic wheel, but within the Orchestra each player has an important identity. Violinist Alexander Hilsberg is envied for his $35,000 Guarnerius which once belonged to Jan Kubelik. Tubaman Philip Donatelli...
...news four months ago when she discovered her stolen Guarnerius in the arms of an innocent deskmate who had borrowed it from a dealer who had unwittingly bought it from a thief (TIME, Dec. 23). No musician but a competent masseuse is pretty, blonde Miss Rondum, taken along by Stokowski to give him daily rubs...