Word: stokowskis
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...perfect pitch, Ormandy rose quickly. In 1931 he scored a triumph with the Philadelphia Orchestra when he substituted for Arturo Toscanini, which led to five seasons as conductor of the Minneapolis Symphony. In 1936 he returned to Philadelphia for two years as co-conductor with the mercurial Leopold Stokowski...
...Stokowski had molded the orchestra into a peerless instrument that he controlled with finger-tip accuracy. Ormandy's achievement was not only to preserve Stokowski's legacy but, in some ways, to surpass it. He was no mere caretaker. If he lacked Stokowski's restless adventurousness in presenting modern music, he nevertheless championed new works by his contemporaries Rachmaninoff and Shostakovich. If his scrupulously maintained low profile was the antithesis of Stokowski's flamboyant showmanship, he nevertheless insisted on a uniformly high performance standard, which can be heard on the hundreds of recordings he made with the Fabulous Philadelphians. Above...
...Leopold Stokowski, proud conductor of the Philadelphia Symphony Orchestra, last week turned upon his applauding audience and said: "This strange beating together of hands has no meaning. To me it is very disturbing. We try to make sounds like music, and then in between comes this strange sound that you make." Delighted, the audience clapped loudly...
...been criticized for catering, as one critic put it privately, to "the dowager taste, to the Main Line bluebloods who put up the dough." He himself concedes: "I should have done more new works-the late Stravinsky, Copland, the whole contemporary group." His predecessor, the flamboyant Leopold Stokowski, made a specialty of such works. But, says Ormandy, he got away with it because "the women were crazy about him. I am not so handsome...
...color and sweep, with glowing sonorities and vivid details. If he has seemed short on profound emotion or penetrating insight, notably into classical composers like Mozart and Beethoven, his musicianship-his pitch, timing and ear for balances and shadings-has always been impeccable. Having inherited a great ensemble from Stokowski, he made it greater. He has hired virtually all of the orchestra's 106 members and molded them into a unit renowned for its tonal sheen and bravura. As he has said: "The Philadelphia sound...