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Word: stokowskis (lookup in dictionary) (lookup stats)
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Like most good conductors, Leopold Stokowski has a temper. Once he held up a Montevideo concert for half an hour while ushers gathered up programs which said his real name was Stokes.* Once the silver-haired maestro walked out on the Mexico Symphony Orchestra after a fuss-&-feathers over an incomplete orchestration. Last week in Cuba, Stokie was in another skirmish with Latin Americans...

Author: /time Magazine | Title: Music: Stokie v. Cuba | 2/18/1946 | See Source »

...Stokowski, pleading other engagements, had refused a March invitation to guest-conduct the Havana Philharmonic. But then a Chilean impresario, Jorge Estradé, signed him up for a Havana concert in February with the same orchestra. In due time, Stokie arrived with his luscious, 21-year-old wife, Gloria, bustled into Havana's Hotel Nacional. Soon the lobby boasted a life-size cardboard cutout of Stokowski, announcing that he would conduct the Beethoven Ninth on Feb.11...

Author: /time Magazine | Title: Music: Stokie v. Cuba | 2/18/1946 | See Source »

...addition to this, Leopold Stokowski has been highly criticized by the musical world for his expansion of Bach chamber works to the facilities of a Wagnerian orchestra. When Koussevitzky follows, the same criticism must be applied to him; when he allows his large string section to drown out the Brandenburg soloists, he is clearly guilty of a breach in taste...

Author: NO WRITER ATTRIBUTED | Title: MUSIC BOX | 1/25/1946 | See Source »

...Sadja Stokowski, 15, finally trailed Father Leopold into print with a picture taken at a yachting party at Palm Beach (see cut). The maestro's second daughter (by Wife No. 2), she threatened to out-glamor Glamor Girl Gloria, Wife...

Author: /time Magazine | Title: People: People, Jan. 21, 1946 | 1/21/1946 | See Source »

Starting the broadcast half of the program, Koussevitzky gave a Bach snite that could have been conducted by Stokowski. The opening grave was played somewhat slower than is customary, and the dances were speeded up to a tempo at which no one could possibly dance. Ten counter-basses were employed for this piece of chamber music, and a gratuituous repeat was added to the final gigue...

Author: NO WRITER ATTRIBUTED | Title: MUSIC BOX | 1/8/1946 | See Source »

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