Word: stokowskis
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...through the great crescendos and wallow in the well-known themes. Not Giulini, however, whose byword is subtlety. The Chicago's famous brass is brilliant, not blaring, and Giulini achieves unexpected nuances of color and volume. Those who prefer their "New World" brooding and Slavic should stick with Stokowski's various recordings, but those with an ear for freshness will like this interpretation...
...this direction. To complete the analogy with Fantasia, the film's animated sequences are linked by live-action scenes in which a cruel conductor and an overworked animator are shown in contentious collaboration, farcically knocking each other about and sending up the dignified portentousness of Conductor Leopold Stokowski and Commentator Deems Taylor in their portions of the Disney picture. This is strictly high school skit stuff, far below the general level of the animated material it introduces. The effort ill serves the cause of expanding the audience for serious animation beyond the cult level. Unfortunately that is still what...
...Stokowski been a full-time politician, instead of the most political of maestros, he would have been a sitting duck for the cartoonists. As it was, detractors mocked his phony accent and snickered when he shook hands with Mickey Mouse in Walt Disney's Fantasia (1940). Yet he was one of the 20th century's handful of true geniuses. He could draw from an orchestra-almost any orchestra-sounds that shimmered gloriously...
...That was why, at age 80, he helped to found the American Symphony Orchestra in New York in 1962. He had demanded and received huge salaries in Philadelphia ($110,000 a year at his peak), plus the income from radio and recordings, at a time of low income taxes. Stokowski took no pay from the American Symphony, and even backed it with...
...born Leopold Antony Stokowski in the Marylebone section of London in 1882, the son of a Polish cabinetmaker and a mother of Irish descent. They managed to scrape up enough money to send him to Oxford and to the Royal College of Music. He got a job as an organist in a London church, then moved to St. Bartholomew's in New York. In 1909 he became the conductor of the Cincinnati Symphony. He was young (27) and virtually untried, but magisterially handsome and already with the mark of genius upon him. Under the gaze of his stern blue...