Word: stoloff
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Dates: during 1930-1930
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...same background twice as long as before. Countrysides, large masses of people, street shots, ballet numbers are better in Grandeur, but since the height of the Grandeur projection is practically the same as the old size there is no clarifying of perspective, no three-dimensional relief. Director Benjamin Stoloff has worked hard to show what he could do with choruses, always a baffling problem in conventional-sized films: wavering ribbons of dancing girls issue from two huge shoes; there is a baby carriage big enough to hold a dozen squallers at a time, and a birthday cake that dwarfs...