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...Angels free beer to protect the stage-a move that ultimately resulted in vicious beatings, Jefferson Airplane's lead singer Marty Balin getting knocked unconscious and one ferocious stabbing death. Some of the film's best and most chilling moments display the palpable tension as drunken bikers thuggishly stomp around the stage while vacuous tripping hippies wave their hands and the performers look particularly ill at ease. In one instance, Marianne Faithful of Jefferson Airplane dogmatically muses about "loving your brothers and sisters" while four Angels savage a listener with pool cues...

Author: By Jon Natchez, CRIMSON STAFF WRITER | Title: Sympathy for the Devil: 'Gimme Shelter' Reveals the Bad Vibes of the Sixties | 10/27/2000 | See Source »

...subway system for afterhours partying. When her friends spray-painted the names of punk bands on the tunnel walls, Karenna, ever the iconoclast, threw up names of country singers like Emmylou Harris and Kenny Rogers. One night Karenna was dancing along the tracks and headed off to stomp on the third rail. A friend pulled her back, explaining that she would be electrocuted. "I always think of that," she says. "I could have died, because I really was about to go jump on that...

Author: /time Magazine | Title: Democratic Convention: The Daughter Also Rises | 8/21/2000 | See Source »

...Vietnam, as a matter-of-fact, was a turning point in Americana as far as manhood was concerned. According to Wolfe, this stomp across the sea initiated the widespread suppression of manliness. "We have the example of the elite young men dodging the draft," Wolfe observes. The efforts of America's top warriors went into avoiding combat rather than embracing it. These men and their apologists had to destroy the ideal of the male fighter to justify saving their own skin. Manliness never disappeared, but popular culture stopped celebrating it, says the author of A Man in Full. Warrior images...

Author: By James Y. Stern, | Title: Fifteen Minutes: The Wolfe in Chic Clothing: FM Examines Tom Wolfe's Dubious Masculinity | 4/6/2000 | See Source »

...performers expect the audience to enjoy themselves. The response of the crowd resembles that at a concert--screaming, yelling and whistling are encouraged. If you're looking for a solemn play then see something else. If you're looking for a rocking good time and entertainment at its best, Stomp caters to your needs. The experience begins when Shaka Opare leads the audience into the world of Stomp. With only a stare of approval or reproach, he periodically incorporates the clapping audience into the performance itself. In fact, the entire encore focuses on audience involvement. And you never know what...

Author: By Brian R. Walsh, CONTRIBUTING WRITER | Title: Stompin' at the Wilbur | 12/3/1999 | See Source »

...difficult to name the "star" of the show. The physically intimidating Shaka Opare bullies the meeker--but hilarious--Taro Alexander, while tough John Sawicki challenges Opare in a series of beat-battle-royales. The intense competition between the performers is guaranteed to whip the crowd into a happy enthusiasm. "Stomp" was specifically desgined to bring the fun to the audience, and it succeeds in the most literal...

Author: By Brian R. Walsh, CONTRIBUTING WRITER | Title: Stompin' at the Wilbur | 12/3/1999 | See Source »

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