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...jobs done several years ago, and featuring pretty nearly every white musician worth listening to. Among the offerings are Panama by Jimmy McPartland, Jazz Me Blues by the Bob Crosby Bob Cats, Swingin' on the Famous Door by the Delta Four (how did Roy Eldridge get into this), Decca Stomp by Red Norve, and Tin Roof Blues by the New Orleans Rhythm Kings including Wingy Mannone and George Brunies. There's a small descriptive booklet with the album, written by Dave Dexter, Jr., Associate Editor of Down Beat...

Author: By Charles Miller, | Title: SWING | 3/15/1941 | See Source »

NEWS AND NEW RELEASES: Four sides by Benny Goodman have finally come out on COLUMBIA, and they're everything you could ask for. First coupling is by the band: Nobody, and Henderson Stomp. Nobody is a swell pop tune sung by Helen Forest, who seems to be more and more influenced by Billie Holiday. The arrangement is very good; ideal for dancing. Henderson is typical orchestration by the arranger for whom the tune was named. Very unpretentious stuff, but the kind that really kicks. Scoring of brass against reed passages reminiscent of the famous chase chorus on Stealin' Apples. Benny...

Author: By Charles Miller, | Title: SWING | 12/7/1940 | See Source »

...years. These tunes generally find their origin in the blues, where improvised melodies are often adaptable to orchestration. For instance, a little detective work will show you that In The Mood, a typical riff tune, is merely an arranged version of an old blues number called Tar Paper Stomp, recorded four or five years ago on Decca by Wingy Mannone. Some of our most popular novelty songs have been riff tunes, and have included Hold Tight, Well All Right, and Boog...

Author: NO WRITER ATTRIBUTED | Title: SWING | 11/30/1940 | See Source »

...Pigfoot Sonata and Just for Laffs and both guitars take all the honors (VICTOR)... Albert Ammons, Meade Lux Lewis, Mary Lou Williams, Joe Sullivan and Pete Johnson, are among the eight-beat pianists featured in DECCA's Boogie-Woogie Album. Best of the records is Ammons' Boogie-Woogie Stomp, with the fine trumpet of Guy Kelly, as well as Albert's own rolling bass... Benny Goodman of 1940, heard at his Totem-Pole one nighter, is one of the biggest things in jazz since the Goodman of 1936... Highlights: Cootie Williams with the Sextet, playing half an hour straight, including...

Author: By Charles Miller, | Title: SWING | 11/16/1940 | See Source »

...within driving distance and probably worth going to see. A not-so-wild rumor says Cootie Williams will be with him. Ellington's loss is Goodman's gain, but I can't see Cootie with anyone but the Duke...Record of the week is Special Delivery Stomp by Artie Shaw's Gramercy Five (VICTOR). Featured is Billy Butterfield, whose muted trumpet beats Muggsy at his own game. Also heard are Johnny Guarneri, playing a harpsichord (!),, and Nick Fatool, whose drumming is reminiscent of Krupa at his best. Whole record jumps like hell. Reverse in Keepin' Myself For You, and makes...

Author: By Charles Miller, | Title: SWING | 11/2/1940 | See Source »

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