Search Details

Word: stompings (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...what in the world is all the hub-bub about? Well, Stomp has a double-edged appeal: The exuberance and power of its on-stage performance lends it the appeal of a particularly brilliant rock concert, while its genuinely creative philosophy makes it unique among the "performance art" offerings of the stage...

Author: By Susannah R. Mandel, CRIMSON STAFF WRITER | Title: Eat This, Michael Flatley: 'Stomp' Rolls In | 11/14/1997 | See Source »

...Stomp's conception is this: The world around us is filled with rhythm--rhythm that can be drawn out of anything; household objects, industrial junk, the lowbrow things you find in your pockets, the natural world itself. That means that the world is filled with music. "You can make music out of absolutely anything, whether it's...tapping on a Coke can or picking up pebbles on the beach," says the show's co-creator Steve McNicholas. "It's what you want to do with...

Author: By Susannah R. Mandel, CRIMSON STAFF WRITER | Title: Eat This, Michael Flatley: 'Stomp' Rolls In | 11/14/1997 | See Source »

...Stomp seems to be serious about its philosophy. In performance, it really does make startling, beautiful use of the unexpected. The opening act sets the tone for the rest of the show: A young man, wearing a scruffy work shirt and jeans splattered with paint, enters from the wings, pushing a large broom before him across the dusty floor. Evidently intrigued by the noises made by the rhythmic swish of the broom's bristles against the floor, he begins to experiment with its tempo and pressure, resulting in swishes and taps of varying pitch and loudness...

Author: By Susannah R. Mandel, CRIMSON STAFF WRITER | Title: Eat This, Michael Flatley: 'Stomp' Rolls In | 11/14/1997 | See Source »

...hour-and-a-half of Stomp consists of a seamlessly interwoven series of such acts. All have their basic conception in common--the creation of dynamic sound and movement from strong bodies and everyday objects--but there's surprising variety among those numbers. One long-haired, bandanna-wearing cast member performs a high-powered solo number for two feet and two brooms; four ornery performers challenge each other to outdo one another in playing matchbooks like maracas. We get solo tap-dancing in heavy work boots, a symphony with drugstore-issue plastic bags and an impressive spotlight number in which...

Author: By Susannah R. Mandel, CRIMSON STAFF WRITER | Title: Eat This, Michael Flatley: 'Stomp' Rolls In | 11/14/1997 | See Source »

...Stomp also has the ability to push the viewer into a kind of synaesthesic high--there's a remarkable thrill that comes from watching something that's more than just a combination of dance with musical production. Instead, the movement becomes the music, and the rare thrill that that generates is something which much be demonstrated to be understood...

Author: By Susannah R. Mandel, CRIMSON STAFF WRITER | Title: Eat This, Michael Flatley: 'Stomp' Rolls In | 11/14/1997 | See Source »

Previous | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 | 36 | Next