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Famed Creole Pianist-Composer Ferdinand ("Jelly Roll") Morton (King Porter Stomp, Jelly Roll Blues, Alabama Bound), "the father of hot piano," talked and played almost every day for a month. Folklorist Lomax, co-author with his late father, John A. Lomax, of Folk Song U.S.A., etc., listened and recorded. What he heard (and later checked up on) adds up to more than mere reminiscent fodder for jazz fans. Mister Jelly Roll (Duell, Sloan & Pearce; $3.50), published last week, is also the full-flavored story of a raucous, diamond-studded era of U.S. history, as seen and told by a mulatto...

Author: /time Magazine | Title: Music: Mister Jelly Roll | 6/19/1950 | See Source »

...trusts . . . are heejus monsthers built up by the inlightened entherprise iv the men that done so much to advance progress in our beloved country. On won hand I wud stomp thim undther fut; on th'other hand, not so fast...

Author: /time Magazine | Title: STEEL: Heejus Monsthers | 3/27/1950 | See Source »

...folksy side, the show has some agreeable music and peppy dancing, but nothing better; and as if Texas weren't big enough, it makes several fumbling forays across the state line into Oklahoma!. The show is actually best when it has a straight Broadway blare and stomp and when the cast, which could use more personal glamour, can show its professional savvy. Somehow Texas just can't find the right girl or gag in the pinches; it dawdles when it needs to spurt, and turns cheap when it ought to be charming...

Author: /time Magazine | Title: The Theater: New Musical in Manhattan, Dec. 5, 1949 | 12/5/1949 | See Source »

Rally marchers will stomp tonight for the last time this year when "a different kind of parade" hits the traditional pre-Yale route to Dillon Field House...

Author: NO WRITER ATTRIBUTED | Title: Rally Starts Yale Weekend | 11/17/1949 | See Source »

Jerry Kilty, remembered for his Falstaff of last year, is back once again with a "tolerable deal of sack" by his side, and, of course, the combination is infallibly amusing. He plays Stephano, and is very ably matched by the Trinculo of David Andrews.' Together, the two romp and stomp about the stage, like two mad clowns--or is it two children inebriated only with springtime--and when joined with Caliban, it's a real howl...

Author: By George A. Leiper, | Title: The Playgoer | 5/6/1949 | See Source »

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