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Word: stone (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...usual, Charlie Devens and Tim Morgan will start at first midfield, but Tadgh Sweeney will take Parks' place as center midfielder. Lanny Keyes, Bron Thayer, and Mike Adair will probably open the game at defense, while Chris Stone will guard the nets...

Author: NO WRITER ATTRIBUTED | Title: Tennis, Lacrosse Squads To Challenge Brown Today | 4/29/1959 | See Source »

...theme of a comprehensive and definitive exhibition of 20th century architecture. Prior went to TIME, asked it to tap its research and picture resources to assemble the show. Organized by Associate Editor Cranston Jones, who has won two American Institute of Architects' awards (Saarinen cover; Edward D. Stone cover, March 31, 1958), and designed by Gyorgy Kepes, M.I.T.'s Professor of Visual Design, Form Givers at Mid-Century opens this week at Washington's Corcoran Gallery, first stop on a nationwide tour. For a preview, see ART, The New Architecture...

Author: /time Magazine | Title: A Letter From The Publisher, Apr. 27, 1959 | 4/27/1959 | See Source »

...show selects five as master form givers-the late Frank Lloyd Wright, Walter Gropius, Mies van der Rohe, Le Corbusier, and Alvar Aalto. Of the second generation, eight are singled out as leaders: Architects Marcel Breuer, Wallace K. Harrison, Philip C. Johnson, Richard J. Neutra, Eero Saarinen, Edward D. Stone, Engineer R. Buckminster Fuller, and the firm of Skidmore, Owings & Merrill. Reviewing the past, assessing the present, and eying the future, the show leads to two major conclusions: 1) modern architecture has now clearly swept its early Beaux Arts enemies from the battlefield; 2) its architects, secure in their conquest...

Author: /time Magazine | Title: Art: The New Architecture | 4/27/1959 | See Source »

...Mies's approach in the hands of less talented practitioners. Says Architect Philip Johnson, a onetime Mies collaborator: "Mies is such a genius. But I grow old and bored." Eero Saarinen quietly insists: "There does not have to be as much glass as Mies says." Says Edward D. Stone: "I am beginning to long for a feeling of permanence and monumentality." To all of this, Mies rumbles: "They say they are bored with my objectivity. Well, I am bored with their subjectivity...

Author: /time Magazine | Title: Art: The New Architecture | 4/27/1959 | See Source »

...Edward D. Stone's museum for A. & P. Heir Huntington Hartford Jr., a ten-story concrete structure that will sit on an island in Manhattan's Columbus Circle. Turning his back on the glass-brick walls he used for Manhattan's Museum of Modern Art, Stone has designed a monumental façade of white marble, enriched by porphyry and verd antique marble medallions over the columns of the arcade. Admits Stone: "The resemblance to Venice, the Ca' d'Oro and Doges Palace, is probably unmistakable...

Author: /time Magazine | Title: Art: The New Architecture | 4/27/1959 | See Source »

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