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Word: stone (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

During the hajj, pilgrims throng Mecca, the men clad in two seamless white garments and sandals, the women in white head-to-toe covering. The pilgrims walk seven times around the Ka'ba, a cubical stone building covered by a gold-embroidered black canopy, in the exterior wall of which is set the Black Stone. The interior, now empty, once housed pagan idols, which Muhammad destroyed. The pilgrims also visit other holy sites, act out the search for water by Hagar, the mother of the Arab nation, perform a vigil on Mount 'Arafat (site of the Prophet...

Author: /time Magazine | Title: Special Report: A Faith of Law and Submission | 4/16/1979 | See Source »

...just as surely the reason that this review's regional bigotry damns itself. I can only hope that he is not also provided access to a nuclear weapon at any time in the near future. Austin is simply too nice a place to be "nuked back to the Stone Age" by an off-balance Crimed. Parker C. Folse...

Author: NO WRITER ATTRIBUTED | Title: Defending Texas | 4/10/1979 | See Source »

During the rare scenes in which Toope does calm down, he shows himself to be a competent actor. Somewhere amidst all that raving and gesticulating lies a good portrayal of Arnolphe. Director Harlod Stone '53 should have toned down Toope's performance and given more attention to his pacing...

Author: By Max Gould, | Title: Muddling Moliere | 4/10/1979 | See Source »

...While Stone fails to control Toope carefully enough, he certainly clamps down on Lizellen La Follette, who plays the virginal Agnes. Her dull monotone and glazed stare were intended, one supposes, to convey her innocence. But we only know that she embodies purity and goodness because others characters tell us she does. Soft violin music accompanies her entrances. All La Follette's performance suggests is that Agnes lacks personality...

Author: By Max Gould, | Title: Muddling Moliere | 4/10/1979 | See Source »

DESPITE SOME FAULTY performances, the production manages to muddle through. Stone keeps the staging simple--rightly so since most of the action and movement is in the dialogue--and the show moves along quickly. The costumes and set are appropriately 18th centuryish. Richard Wilbur's excellent verse translation retains the spirit of the original text, which it follows nearly thought by thought...

Author: By Max Gould, | Title: Muddling Moliere | 4/10/1979 | See Source »

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