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...feels as though it never lived in the first place. Kate Moss’ cutesy cameo on “La Belle et la Bête” starts the album off on a shaky, self-indulgent note. And both the slack ska of “Sticks and Stones?? and the bizarre pseudo-Reggaeton of “Pentonville” sound horrendously out of place. As the record progresses, the “shamble” of the group’s name makes more sense. The album becomes slower and more listless towards its eventual...

Author: By Jake G. Cohen, CONTRIBUTING WRITER | Title: Down in Albion | 2/15/2006 | See Source »

...everything he does sort of turns to gold”) as recent favorites, and praises the digital music revolution: “iTunes is the greatest invention since the combustion engine.” He also picks “No Expectations” off the Rolling Stones?? classic “Beggars Banquet” as the one song he would have included the film if he’d had the budget.The studio had a different idea of what was missing from “Harvest”: a more optimistic conclusion. Ramis, approached during...

Author: By Ben B. Chung, CRIMSON STAFF WRITER | Title: Breaking the Ice with 'Harvest' Cast | 11/17/2005 | See Source »

...live in glass houses ought not to throw stones??even if those men are journalists. The Standard anthology commits many errors of omission in its own right—and Kristol had only a decade, rather than a century, of back-issues to browse through. Kristol’s anthology is guilty of the same “self-congratulations” for which Terzian attacks the Times magazine...

Author: NO WRITER ATTRIBUTED | Title: Book Review: ed. William Kristol | 10/7/2005 | See Source »

...memorable hit, the drug-dealer-mock-heroic “Dr. Feelgood.” Covers of The Beatles’s “Helter Skelter,” The Sex Pistols’s “Anarchy in the U.K,” and The Rolling Stones??s “Street-Fighting Man” show little creativity or distinction from their obvious idols, other than gratuitous electric guitar solos...

Author: By Kristina M. Moore, CRIMSON STAFF WRITER | Title: New Music: Red, White and Crue | 2/18/2005 | See Source »

...success is at least partly due to finding, in Kaufman, a creative genius to match his own. One look at Gondry’s work in the recent eponymous DVD collection celebrating his music video and short film work, and his inventiveness is clear. For the Rolling Stones?? video “Like a Rolling Stone,” he created the technology so that the camera’s perspective continues to roll as if it were an actual rolling stone. In the White Stripes’ “Fell in Love with a Girl...

Author: By Scoop A. Wasserstein, CRIMSON STAFF WRITER | Title: Review: Eternal Sunshine of the Spotless Mind | 3/19/2004 | See Source »

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