Word: stones
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Dates: during 1990-1999
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...today's society, there simply is not, nor should there be, a place for your brand of incendiary fear-mongering," D'Amato said in an open letter to Buchanan. "You have left virtually no stone unturned in your rhetoric, which denigrates women, bashes gays, criminalizes immigrants, insults African-Americans and politicizes religion...
...people the idea that he had missed his true calling: anchorman! He had it all: the authority and irony, the requisite twinkle. That craggy charisma would have sat smartly behind a Formica desk. But then news imitated art: the networks created their own lower-wattage Redfords in Brokaw, Jennings, Stone Phillips. And now, when Redford finally gets into a TV-news movie, he's nearly 60, too old to begin a career as anchor. His job in Up Close and Personal is to mentor the promising rookie played by Michelle Pfeiffer...
...feel a lot better turning in blocking forms during reading period or finals week. March seems so early; there are too many what-ifs. What if the members of the blocking group despise each other by May? What if people forge new friendships after blocking groups are set in stone? What if couples break up after they decide to block together...
...story begins New Years' Eve, 1970, when Fuentes, an acclaimed Mexican novelist, meets Diana Soren. From there, the reader is carried through FBI intrigue, encounters with the Black Panthers, sexual jealousy with Mexican revolutionaries. This novel leaves no stone untouched. It is an extraordinary chronicle of a history intertwined with art, and forever surrounded by love, lust, and humiliation...
...Chinatown. Ngor, who won an Academy Award for portraying Dith Pran in "The Killing Fields" in 1984, was apparently shot to death outside his home Sunday night. "Haing Ngor was a man of great strength and courage, and seemed to me always prepared to meet his death," Oliver Stone, who directed Ngor in "Heaven and Earth" two years ago, told the Associated Press Monday. "For him to be killed so senselessly -- whatever the motive -- shows us that violence is no less a threat in the streets of our own cities than it was in Cambodia." In "The Killing Fields," Ngor...