Word: stoning
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Dates: during 1930-1939
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...peeps a pitch pipe to give them the key. And their singing has the precision and shading of a crack symphony orchestra. Every year they pack up and pile into a chartered bus for at least one big tour. For St. Olaf, these tours earn substantial sums. The grey stone, $140,000 music building that is the pride of St. Olaf s campus was paid for mostly out of the choir's profits...
...Museum's new home, designed by Architects Philip L. Goodwin and Edward D. Stone, was evidence that the Museum can mix its own concrete: a million-dollar building on a million-dollar lot, with a sheer, severe front of plate glass, white marble and thermolux (a translucent sandwich made of spun glass insulator between two sheets of plate glass), galleries with collapsible walls, library, auditorium, projection rooms and roof terrace. The chairs and desks which furnish it (by van der Rohe, Breuer, Aalto, et al.) are in themselves a show of industrial fine...
Concrete, crushed stone, pipe, real estate and liquor were some of the business sidelines from which leathery old Tom Pendergast drew copious revenue during his long reign as Democratic boss of Kansas City. When Pendergast was indicted last month for evading Federal income taxes on $315,000 of alleged boodle received in 1935 from an insurance rate "fixing" (TIME, April 17), one man quizzed closely by the Treasury's agents was Edward L. Schneider, secretary-treasurer of eight of the Boss's businesses. Fortnight ago, presumably on Schneider's testimony primarily, Boss Pendergast was indicted again, this...
...World's Fair tripper, taking art on the run, could hardly ask for anything more panoramic. Ranging from tame portraits of young girls to woozy, crawling abstractions, from genteel sculptures in baby-blue plaster to great blocks of stone, from Christmas-cardy woodcuts to elusive black-and-whites, the show represents all trends, tastes, techniques. A few exhibits, with their wavering lines, naïve perspectives, jumbled colors, may invite perplexed comparison with little Hilda's fourth-grade drawings. But there is not enough surrealism to bite beholders. Many things in the exhibition treat in some...
Sailing for the Crimson were John Bentinck-Smith '41, Robert B. Seidman '41, Franklin N. Cunningham '41, and Henry B. Stone...