Word: stonings
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...show is that you’re introduced to this person, Anne, and you’re not absolutely certain of who she is,” says director Matthew C. Stone ’11, who is also a Crimson arts comper. “As the play goes on it attaches many different attributes to her, and by the end of it you see this identity that you started out with that’s been completely dissolved...
...People have claimed that this isn’t even a play; it was written without characters, without setting, without any context for the scenes whatsoever. You can literally go through and make anything you want out of them,” Stone explains. “There are two traditional ways of looking at it. The first method is to look at each scene as a distinct world and focus on the discontinuity of each scene and how each one addresses different issues in the modern world,” Stone says. “The other method...
...despite his immense prestige, the critics among his professional colleagues greatly outnumber the disciples”), there’s something to admire in the impulse to see everything as intimately connected. Not least among the view’s merits was the respect it generated amidst the cold stone and rarified air of mid-century academia for cultures not one?...
...She’s getting better every weekend, and stronger—understanding how to use her body to her advantage,” Stone said. “She’s got a good shot—I mean, she ripped that…She was one of those kids on the ice at the end of the game. That’s what you want...
...some costly penalties, and we just talked about the fact that we’re not a young team,” Stone said. “As soon as everybody in the locker room recognizes that and starts playing like they’re capable of playing, then we’re going to be in good shape...